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ly gave them to Gough, the antiquary, who bequeathed them to the University of Oxford. The Armada tapestry, which is stated to have been designed by Henry Cornelius Vroom, the Dutch marine painter, and woven by Francis Spiering, appears to have been, in 1602, in the possession of Lord Howard, Lord High Admiral and the hero of the Armada. Fuller particulars are given in Walpole's "Anecdotes," i. p. 246, under the name of Vroom, Sandart being the principal authority. Part of them were in the House of Lords till 1834, when they perished in the fire. These had been engraved in 1739 by John Pine, but it appears that at that time there were in the royal wardrobe other pieces, now lost. [421] Lloyd's "Worthies." [422] Calendar of State Papers, cx. No. 26, James I., 1619-23. [423] Calendar of State Papers, vol. clxxxi. No. 48. [424] Rymer, "Foedera," vol. viii. p. 66, ed. 1743. [425] Brydges, "Northamptonshire," i. p. 323, under the head of "Stoke Bruere," pt. 1, p. 48. [426] Manning and Bray's "History of Surrey," vol. iii. p. 302. [427] Horace Walpole, "Anecdotes of Painting in England," vol. ii. p. 22. [428] Macpherson, "Annals of Commerce." [429] There is in Brydges' "Northamptonshire," under the head of "Stoke Bruere" (the estate which King James gave to Sir F. Crane as part payment of the deficit of L16,400 in his tapestry business), mention of the cartoons of "Raphael of Urbin, ... had from Genoa," and their cost, L300, besides the transport. M. Blanc says, with great justness, that Raphael, when he prepared these cartoons for tapestry, made designs for weaving, and _did not paint pictures_. If they had been intended for oil pictures, they would have been very differently treated. [430] Calendar State Papers, Domestic, Sept. 28th, 1653. [431] Horace Walpole's "Anecdotes of Painting," vol. iii. p. 64. [432] See Evelyn's very scarce tract, entitled "Mundus Muliebris," printed 1690, p. 8. [433] Lord Tyrconnell, Lord Exeter, and Lord Guildford had married three of the Brownlow heiresses of Belton, who had a winter residence at Stamford. [434] Designed by Francesco Zuccharelli. Rock, Introduction, p. cxiv. [435] It has been at different periods the crowning glory of the craft of the weaver to plac
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