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6 Sec. 13. Schools of Florence, Milan, and Bologna. 88 Sec. 14. Claude, Salvator, and the Poussins. 89 Sec. 15. German and Flemish landscape. 90 Sec. 16. The lower Dutch schools. 92 Sec. 17. English school, Wilson and Gainsborough. 93 Sec. 18. Constable, Callcott. 94 Sec. 19. Peculiar tendency of recent landscape. 95 Sec. 20. G. Robson, D. Cox. False use of the term "style." 95 Sec. 21. Copley Fielding. Phenomena of distant color. 97 Sec. 22. Beauty of mountain foreground. 99 Sec. 23. De Wint. 101 Sec. 24. Influence of Engraving. J. D. Harding. 101 Sec. 25. Samuel Prout. Early painting of architecture, how deficient. 103 Sec. 26. Effects of age upon buildings, how far desirable. 104 Sec. 27. Effects of light, how necessary to the understanding of detail. 106 Sec. 28. Architectural painting of Gentile Bellini and Vittor Carpaccio. 107 Sec. 29. And of the Venetians generally. 109 Sec. 30. Fresco painting of the Venetian exteriors. Canaletto. 110 Sec. 31. Expression of the effects of age on Architecture by S. Prout. 112 Sec. 32. His excellent composition and color. 114 Sec. 33. Modern architectural painting generally. G. Cattermole. 115 Sec. 34. The evil in an archaeological point of view of misapplied invention, in architectural subject. 117 Sec. 35. Works of David Roberts: their fidelity and grace. 118 Sec. 36. Clarkson Stanfield. 121 Sec. 37. J. M. W. Turner. Force of national feeling in all great painters. 123 Sec. 38. Influence of this feeling on the choice of Landscape subject. 125 Sec. 39. Its peculiar manifestation in Turner. 125 Sec. 40. The domestic subjects of the Liber Studiorum. 127 Sec. 41. Turner's painti
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