309
Sec. 2. Salvator's limestones. The real characters of the rock. Its
fractures, and obtuseness of angles. 309
Sec. 3. Salvator's acute angles caused by the meeting of concave
curves. 310
Sec. 4. Peculiar distinctness of light and shade in the rocks of
nature. 311
Sec. 5. Peculiar confusion of both in the rocks of Salvator. 311
Sec. 6. And total want of any expression of hardness or brittleness. 311
Sec. 7. Instances in particular pictures. 312
Sec. 8. Compared with the works of Stanfield. 312
Sec. 9. Their absolute opposition in every particular. 313
Sec. 10. The rocks of J. D. Harding. 313
Sec. 11. Characters of loose earth and soil. 314
Sec. 12. Its exceeding grace and fulness of feature. 315
Sec. 13. The ground of Teniers. 315
Sec. 14. Importance of these minor parts and points. 316
Sec. 15. The observance of them is the real distinction between the
master and the novice. 316
Sec. 16. Ground of Cuyp. 317
Sec. 17. And of Claude. 317
Sec. 18. The entire weakness and childishness of the latter. 318
Sec. 19. Compared with the work of Turner. 318
Sec. 20. General features of Turner's foreground. 319
Sec. 21. Geological structure of his rocks in the Fall of the Tees. 319
Sec. 22. Their convex surfaces and fractured edges. 319
Sec. 23. And perfect unity. 320
Sec. 24. Various parts whose history is told us by the details of the
drawing. 321
Sec. 25. Beautiful instance of an exception to general rules in the
Llanthony. 321
Sec. 26. Turner's drawing of detached blocks of weathered stone. 322
Sec. 27. And of complicated foreground. 323
Sec. 28. And of loose soil.