his mind
is intently employed in the contemplation of some subjects and curiously
surveying some ideas that are there, it takes no notice of impressions
of sounding bodies, made upon the organ of hearing, with the same
attention that uses to be for the producing the ideas of sound! A
sufficient impulse there may be on the organ, but it not reaching the
observation of the mind, there follows no perception, and though the
motion that uses to produce the idea of sound be made in the ear, yet no
sound is heard." And what is here said, which all must feel by their own
experience to be true, is more remarkably and necessarily the case with
sight than with any other of the senses, for this reason, that the ear
is not accustomed to exercise constantly its functions of hearing; it is
accustomed to stillness, and the occurrence of a sound of any kind
whatsoever is apt to awake attention, and be followed with perception,
in proportion to the degree of sound; but the eye, during our waking
hours, exercises constantly its function of seeing; it is its constant
habit; we always, as far as the _bodily_ organ is concerned, see
something, and we always see in the same degree, so that the occurrence
of sight, as such, to the eye, is only the continuance of its necessary
state of action, and awakes no attention whatsoever, except by the
particular nature and quality of the sight. And thus, unless the minds
of men are particularly directed to the impressions of sight, objects
pass perpetually before the eyes without conveying any impression to the
brain at all; and so pass actually unseen, not merely unnoticed, but in
the full, clear sense of the word, unseen. And numbers of men being
pre-occupied with business or care of some description, totally
unconnected with the impressions of sight, such is actually the case
with them, they receiving from nature only the inevitable sensations of
blueness, redness, darkness, light, etc., and except at particular and
rare moments, no more whatsoever.
Sec. 3. But more or less in proportion to their natural sensibility to what
is beautiful.
Sec. 4. Connected with a perfect state of moral feeling.
The degree of ignorance of external nature in which men may thus remain,
depends, therefore, partly on the number and character of the subjects
with which their minds may be otherwise occupied, and partly on a
natural want of sensibility to the power of beauty of form, and the
other attributes of
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