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and Italian landscapes, of which no words are scornful enough to befit the utter degradation, hang in the Venetian Academy in the next room to the Desert of Titian and the Paradise of Tintoret.[6] Sec. 8. The value of inferior works of art how to be estimated. That then which I would have the reader inquire respecting every work of art of undetermined merit submitted to his judgment, is not whether it be a work of especial grandeur, importance, or power; but whether it have _any_ virtue or substance as a link in this chain of truth, whether it have recorded or interpreted anything before unknown, whether it have added one single stone to our heaven-pointing pyramid, cut away one dark bough, or levelled one rugged hillock in our path. This, if it be an honest work of art, it must have done, for no man ever yet worked honestly without giving some such help to his race. God appoints to every one of his creatures a separate mission, and if they discharge it honorably, if they quit themselves like men and faithfully follow that light which is in them, withdrawing from it all cold and quenching influence, there will assuredly come of it such burning as, in its appointed mode and measure, shall shine before men, and be of service constant and holy. Degrees infinite of lustre there must always be, but the weakest among us has a gift, however seemingly trivial, which is peculiar to him, and which worthily used will be a gift also to his race forever-- "Fool not," says George Herbert, "For all may have, If they dare choose, a glorious life or grave." If, on the contrary, there be nothing of this freshness achieved, if there be neither purpose nor fidelity in what is done, if it be an envious or powerless imitation of other men's labors, if it be a display of mere manual dexterity or curious manufacture, or if in any other mode it show itself as having its origin in vanity,--Cast it out. It matters not what powers of mind may have been concerned or corrupted in it, all have lost their savor, it is worse than worthless;--perilous--Cast it out. Works of art are indeed always of mixed kind, their honesty being more or less corrupted by the various weaknesses of the painter, by his vanity, his idleness, or his cowardice; (the fear of doing right has far more influence on art than is commonly thought,) that only is altogether to be rejected which is altogether vain, idle, and co
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