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come since the rise of Buddhism. Nay, they go further. In every instance where a beast appears as helping the hero, we are taught to presume that the hero has first helped the beast, even though no trace of such an incident be actually found. It must have been so, otherwise the beast would have had no motive for helping the hero,--and, it may be added, the theorist would have had no ground for claiming the story as proceeding from a Buddhist source. Now all this would have been seen at once to be very poor reasoning, but for one fact. A number, sufficient to be called large, of parables, have actually made their way from India to Europe in historic times, and since the age of Gautama. The literary history of these parables can be traced; and it must be acknowledged that, whatever their origin, they have been adopted into Buddhist works and adapted to Buddhist doctrine. Further, it seems demonstrated that some of them have descended into the oral tradition of various nations in Europe, Asia, and even Africa. But when so much as this is conceded, it still fails to account for the spread of the story of the Grateful Beasts and, even more signally, for the incident of the Beast-helpers where there is no gratitude in the case. A very slight examination of the incident as it appears in the group of legends now before us will convince us of this. First of all, let it be admitted that in several of these tales the service rendered by the brute is in requital for a good turn on the part of the hero. Andrianoro, as we have seen, begins by making friends with various animals by means of the mammon of unrighteousness in the shape of a feast. Jagatalapratapa, in the narrative already cited from the Tamil book translated into English under the title of "The Dravidian Nights Entertainments," pursuing one of Indra's four daughters, is compelled by her father, after three other trials, to choose her out from her sisters, who are all converted into one shape. He prays assistance from a kind of grasshopper; and the little creature, in return for a previous benefit, hops upon her foot. But it is somewhat curious, if the theory be true, that even in stories told among peoples distinctly under Buddhist influence the gratitude is by no means an invariable point. Thus the princess in the Burmese drama is betrayed by "the king of flies" to her husband, though the abstract we have of the play gives us no hint of any previous transaction betwe
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