FREE BOOKS

Author's List




PREV.   NEXT  
|<   440   441   442   443   444   445   446   447   448   449   450   451   452   453   454   455   456   457   458   459   460   461   462   463   464  
465   466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   486   487   488   489   >>   >|  
ion. The demons wear an artificial phallus outside the dress, which fits the figure tightly.[1545] The ritual developed into the Dionysiac rites and orgies, the main idea of which was to rejoice with the reproductive agencies of nature, to present them dramatically to the mind, and to stimulate hope and industry. In Greece these primitive rites of sympathetic magic in agriculture developed into the comic drama, and the demons became stereotyped figures of comedy, always recognizable by their masks (faces of a vulgar type), exaggerated hips, and above all by the phallus. The demon turned into the clown or buffoon, but the phallus was kept as an emblem of his role, like the later cap and bells of the fool, until the fifth century of the Christian era in the West, and until the fall of the Byzantine empire. In the Hellenistic period the clown took the role of the Olympic god, and wore the phallus. The Phlyakes in lower Italy had the same emblem and it was worn in the atellan plays of the Romans.[1546] In the early Christian centuries the Christian martyr wore the emblem in the comedy, since that role was always represented by the simpleton or clown. Ecclesiastical persons also were represented with it, since the buffoon always wore it, whatever his role. It also passed to the _karagoz_ (shadow play) of the Turks and to the _pantin_ puppets of the Javans. In the comedy of Hindostan the phallus disappeared.[1547] In Egypt, at least as late as the first half of the nineteenth century, a masked figure marched at the head of the bride's procession at a wedding with the same symbol and indecent gestures.[1548] +474. Infibulation.+ It appears that athletes in Greece bound the organ and tied it up to the girdle in a manner closely resembling the primitive suspensorium. The comedians wore a leathern apron with a large false organ of red leather on the outside. It became a sign of the trade of boxers, athletes, gymnasts, and comedians to bind the organ and tie it up, whereby it was twisted into a horn shape. The purpose was to protect it from injury, and it furnishes suggestion as to the purpose of the primitive suspensorium. The concealment was very imperfect and the notion grew up that the part concealed ought to be concealed, but no more. The Romans thought it indecent to lack the foreskin, and the Jews endeavored to conceal this lack. Infibulation was practiced in two ways,--by a ring through the prepuce or by a bandage around i
PREV.   NEXT  
|<   440   441   442   443   444   445   446   447   448   449   450   451   452   453   454   455   456   457   458   459   460   461   462   463   464  
465   466   467   468   469   470   471   472   473   474   475   476   477   478   479   480   481   482   483   484   485   486   487   488   489   >>   >|  



Top keywords:

phallus

 

comedy

 
primitive
 

emblem

 

Christian

 

century

 

comedians

 

Infibulation

 

indecent

 

suspensorium


Romans

 
athletes
 
buffoon
 

purpose

 
demons
 

represented

 

concealed

 

developed

 

figure

 

Greece


masked

 

leathern

 

closely

 

nineteenth

 
manner
 

resembling

 
procession
 

wedding

 

gestures

 

appears


marched

 
symbol
 

disappeared

 

girdle

 

thought

 
foreskin
 

notion

 
endeavored
 

conceal

 

prepuce


bandage

 

practiced

 
imperfect
 

boxers

 

gymnasts

 
Hindostan
 

leather

 
injury
 

furnishes

 

suggestion