or town arms, such as the
fleur-de-lis of Florence, the Biscione or viper of Milan, and lions
which are rampant, a condition unknown to their classic prototypes.
Shields, though used before, have a new form, and ribbons are developed
into all sorts of knots and waving ends, the loops having the same
cadences in relative size as other decorative compound motives."
[Illustration: XLI. Panel from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
[Illustration: XLII. Panel from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
[Illustration: XLIII. Panel from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
[Illustration: XLIV. Panel from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
[Illustration: XLV. Panel from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
[Illustration: XLVI. Panels from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
[Illustration: XLVII. Panels from the Choir Stalls, Church of S. Pietro,
Perugia, Italy.]
XLI to XLVII.
PANELS FROM THE CHOIR STALLS, CHURCH OF S. PIETRO, PERUGIA, ITALY.
The principles governing the design of these panels so well explained in
the foregoing quotation can all be seen exemplified in the plates. They
are all built upon a central axis, and the proportion and distribution
of the various motives most carefully studied and beautifully carried
out. Although all are shorter than the usual pilaster, the design is
exactly similar to that usually employed for this purpose. Even the
horizontal panels in plates XLVI and XLVII follow precisely the same
rules of design.
[Illustration: XLVIII. Panel from the Chamber of Commerce, Perugia,
Italy.]
XLVIII.
PANEL FROM THE CHAMBER OF COMMERCE, PERUGIA, ITALY.
This panel, although from a different building, is so similar in
treatment to the ones in the Church of S. Pietro that it can be classed
with them, and all that has been said of them applies as well to this.
Architectural Schools.
It is not many years since there was but one school in America to which
a young man could go with the expectation of getting instruction in
architecture, or at least where a special course of training was laid
out for this purpose. At present there are six well-equipped
architectural schools connected with as many colleges, each with its own
corps of instructors and each presenting special advantages to students.
In addition to these principal institutio
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