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or town arms, such as the fleur-de-lis of Florence, the Biscione or viper of Milan, and lions which are rampant, a condition unknown to their classic prototypes. Shields, though used before, have a new form, and ribbons are developed into all sorts of knots and waving ends, the loops having the same cadences in relative size as other decorative compound motives." [Illustration: XLI. Panel from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] [Illustration: XLII. Panel from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] [Illustration: XLIII. Panel from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] [Illustration: XLIV. Panel from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] [Illustration: XLV. Panel from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] [Illustration: XLVI. Panels from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] [Illustration: XLVII. Panels from the Choir Stalls, Church of S. Pietro, Perugia, Italy.] XLI to XLVII. PANELS FROM THE CHOIR STALLS, CHURCH OF S. PIETRO, PERUGIA, ITALY. The principles governing the design of these panels so well explained in the foregoing quotation can all be seen exemplified in the plates. They are all built upon a central axis, and the proportion and distribution of the various motives most carefully studied and beautifully carried out. Although all are shorter than the usual pilaster, the design is exactly similar to that usually employed for this purpose. Even the horizontal panels in plates XLVI and XLVII follow precisely the same rules of design. [Illustration: XLVIII. Panel from the Chamber of Commerce, Perugia, Italy.] XLVIII. PANEL FROM THE CHAMBER OF COMMERCE, PERUGIA, ITALY. This panel, although from a different building, is so similar in treatment to the ones in the Church of S. Pietro that it can be classed with them, and all that has been said of them applies as well to this. Architectural Schools. It is not many years since there was but one school in America to which a young man could go with the expectation of getting instruction in architecture, or at least where a special course of training was laid out for this purpose. At present there are six well-equipped architectural schools connected with as many colleges, each with its own corps of instructors and each presenting special advantages to students. In addition to these principal institutio
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