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The Project Gutenberg EBook of Sappho: One Hundred Lyrics, by Bliss Carman This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Sappho: One Hundred Lyrics Author: Bliss Carman Release Date: May 20, 2004 [EBook #12389] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SAPPHO: ONE HUNDRED LYRICS *** Produced by David Starner, Robert Connal and the Online Distributed Proofreading Team. SAPPHO ONE HUNDRED LYRICS BY BLISS CARMAN 1907 "SAPPHO WHO BROKE OFF A FRAGMENT OF HER SOUL FOR US TO GUESS AT." "SAPPHO, WITH THAT GLORIOLE OF EBON HAIR ON CALMED BROWS-- O POET-WOMAN! NONE FORGOES THE LEAP, ATTAINING THE REPOSE." E.B. BROWNING. INTRODUCTION THE POETRY OF SAPPHO.--If all the poets and all the lovers of poetry should be asked to name the most precious of the priceless things which time has wrung in tribute from the triumphs of human genius, the answer which would rush to every tongue would be "The Lost Poems of Sappho." These we know to have been jewels of a radiance so imperishable that the broken gleams of them still dazzle men's eyes, whether shining from the two small brilliants and the handful of star-dust which alone remain to us, or reflected merely from the adoration of those poets of old time who were so fortunate as to witness their full glory. For about two thousand five hundred years Sappho has held her place as not only the supreme poet of her sex, but the chief lyrist of all lyrists. Every one who reads acknowledges her fame, concedes her supremacy; but to all except poets and Hellenists her name is a vague and uncomprehended splendour, rising secure above a persistent mist of misconception. In spite of all that is in these days being written about Sappho, it is perhaps not out of place now to inquire, in a few words, into the substance of this supremacy which towers so unassailably secure from what appear to be such shadowy foundations. First, we have the witness of her contemporaries. Sappho was at the height of her career about six centuries before Christ, at a period when lyric poetry was peculiarly esteemed and cultivated at the centres of Greek life. Among the _Molic_ peoples of the
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