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Sir Francis Trevellyan, and No. 12, Seigneur Faruskiar: I have never heard of the one who owes me an apology and a cigar, nor have I heard that the other has been hanged. Doubtless, the illustrious bandit, having sent in his resignation of the general managership of the Grand Transasiatic, continues his lucrative career in the depths of the Mongol provinces. Now for Kinko, my No. 11: I need hardly say that my No. 11 was married to Zinca Klork with great ceremony. We were all at the wedding, and if the Son of Heaven had richly endowed the young Roumanian, his wife received a magnificent present in the name of the passengers of the train he had saved. That is the faithful story of this journey. I have done my best to do my duty as special correspondent all down the line, and perhaps my editors may be satisfied, notwithstanding the slip or two you have heard about. As to me, after spending three weeks in Pekin, I returned to France by sea. And now I have to make a confession, which is very painful to my self-esteem. The morning after I arrived in the Chinese capital I received a telegram thus worded, in reply to the one I had sent from Lan-Tcheou: _Claudius Bombarnac, Pekin, China._ _Twentieth Century requests its correspondent, Claudius Bombarnac, to present its compliments and respects to the heroic Seigneur Faruskiar_. But I always say that this telegram never reached him, so that he has been spared the unpleasantness of having to reply to it. THE END. End of the Project Gutenberg EBook of The Adventures of a Special Correspondent, by Jules Verne *** END OF THIS PROJECT GUTENBERG EBOOK SPECIAL CORRESPONDENT *** ***** This file should be named 11263.txt or 11263.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.net/1/1/2/6/11263/ Produced by Norm Wolcott and the Online Distributed Proofreading Team. Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm
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