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_Shakespear_; nay, it is not only visible that Sensuality has devoured
all Greatness of Soul, but the Under-Passion (as I may so call it) of a
noble Spirit, Pity, seems to be a Stranger to the Generality of an
Audience. The Minds of Men are indeed very differently disposed; and the
Reliefs from Care and Attention are of one Sort in a great Spirit, and
of another in an ordinary one. The Man of a great Heart and a serious
Complexion, is more pleased with Instances of Generosity and Pity, than
the light and ludicrous Spirit can possibly be with the highest Strains
of Mirth and Laughter: It is therefore a melancholy Prospect when we see
a numerous Assembly lost to all serious Entertainments, and such
Incidents, as should move one sort of Concern, excite in them a quite
contrary one. In the Tragedy of _Macbeth_, the other Night, [2] when the
Lady who is conscious of the Crime of murdering the King, seems utterly
astonished at the News, and makes an Exclamation at it, instead of the
Indignation which is natural to the Occasion, that Expression is
received with a loud Laugh: They were as merry when a Criminal was
stabbed. It is certainly an Occasion of rejoycing when the Wicked are
seized in their Designs; but I think it is not such a Triumph as is
exerted by Laughter.

You may generally observe, that the Appetites are sooner moved than the
Passions: A sly Expression which alludes to Bawdry, puts a whole Row
into a pleasing Smirk; when a good Sentence that describes an inward
Sentiment of the Soul, is received with the greatest Coldness and
Indifference. A Correspondent of mine, upon this Subject, has divided
the Female Part of the Audience, and accounts for their Prepossession
against this reasonable Delight in the following Manner. The Prude, says
he, as she acts always in Contradiction, so she is gravely sullen at a
Comedy, and extravagantly gay at a Tragedy. The Coquette is so much
taken up with throwing her Eyes around the Audience, and considering the
Effect of them, that she cannot be expected to observe the Actors but as
they are her Rivals, and take off the Observation of the Men from her
self. Besides these Species of Women, there are the _Examples_, or the
first of the Mode: These are to be supposed too well acquainted with
what the Actor was going to say to be moved at it. After these one might
mention a certain flippant Set of Females who are Mimicks, and are
wonderfully diverted with the Conduct of all the Peop