d Scaliger derive the word from the Greek,
whence comes our English word satyr, but Casaubon, Dacier and Spanheim
derive it from the Latin 'satura,' a plate filled with different kinds
of food, and they refer to Porphyrion's 'multis et variis rebus hoc
carmen refertum est.'

The text, as we possess it, may be divided into three divisions: the
first and last relate the adventures of Encolpius and his companions, the
second, which is a digression, describes the Dinner of Trimalchio. That
the work was originally divided into books, we had long known from
ancient glossaries, and we learn, from the title of the Traguriensian
manuscript, that the fragments therein contained are excerpts from the
fifteenth and sixteenth books. An interpolation of Fulgentius (Paris
7975) attributes to Book Fourteen the scene related in Chapter 20 of the
work as we have it, and the glossary of St. Benedict Floriacensis cites
the passage 'sed video te totum in illa haerere, quae Troiae halosin
ostendit (Chapter 89), as from Book Fifteen. As there is no reason to
suppose that the chapters intervening between the end of the Cena
(Chapter 79) and Chapter 89 are out of place, it follows that this
passage may have belonged to Book Sixteen, or even Seventeen, but that it
could not have belonged to Book Fifteen. From the interpolation of
Fulgentius we may hazard the opinion that the beginning of the fragments,
as we possess them (Chapters 1 to 26), form part of Book Fourteen. The
Dinner of Trimalchio probably formed a complete book, fifteen, and the
continuation of the adventures of Encolpius down to his meeting with
Eumolpus (end of Chapter 140) Book Sixteen. The discomfiture of Eumolpus
should have closed this book but not the entire work, as the exit of the
two principal characters is not fixed at the time our fragments come to
an end. The original work, then, would probably have exceeded Tom Jones
in length.

II

THE AUTHOR.

a--"Not often," says Studer (Rheinisches Museum, 1843), "has there been
so much dispute about the author, the times, the character and the
purpose of a writing of antiquity as about the fragments of the Satyricon
of Petronius." The discovery and publication of the Trau manuscript
brought about a literary controversy which has had few parallels, and
which has not entirely died out to this day, although the best
authorities ascribe the work to Caius Petronius, the Arbiter Elegantiarum
at the court of Nero. "The