te] "The ball is opened."

He stands brooding over the note, and STEEL looks at him
anxiously. He is a dark, sallow, thin-faced young man, with the
eyes of one who can attach himself to people, and suffer with
them.

STEEL. I'm glad it's begun, sir. It would have been an awful pity
to have made that speech.

MORE. You too, Steel!

STEEL. I mean, if it's actually started----

MORE. [Tearing tie note across] Yes. Keep that to yourself.

STEEL. Do you want me any more?

MORE takes from his breast pocket some papers, and pitches them
down on the bureau.

MORE. Answer these.

STEEL. [Going to the bureau] Fetherby was simply sickening. [He
begins to write. Struggle has begun again in MORE] Not the faintest
recognition that there are two sides to it.

MORE gives him a quick look, goes quietly to the dining-table
and picks up his sheaf of notes. Hiding them with his sleeve,
he goes back to the window, where he again stands hesitating.

STEEL. Chief gem: [Imitating] "We must show Impudence at last that
Dignity is not asleep!"

MORE. [Moving out on to the terrace] Nice quiet night!

STEEL. This to the Cottage Hospital--shall I say you will preside?

MORE. No.

STEEL writes; then looking up and seeing that MORE is no longer
there, he goes to the window, looks to right and left, returns
to the bureau, and is about to sit down again when a thought
seems to strike him with consternation. He goes again to the
window. Then snatching up his hat, he passes hurriedly out
along the terrace. As he vanishes, KATHERINE comes in from the
hall. After looking out on to the terrace she goes to the bay
window; stands there listening; then comes restlessly back into
the room. OLIVE, creeping quietly from behind the curtain,
clasps her round the waist.

KATHERINE. O my darling! How you startled me! What are you doing
down here, you wicked little sinner!

OLIVE. I explained all that to Daddy. We needn't go into it again,
need we?

KATHERINE. Where is Daddy?

OLIVE. Gone.

KATHERINE. When?

OLIVE. Oh! only just, and Mr. Steel went after him like a rabbit.
[The music stops] They haven't been paid, you know.

KATHERINE. Now, go up at once. I can't think how you got down here.

OLIVE. I can. [Wheedling] If you pay them, Mummy, they're sure to
play another.

KATHERINE. Well, give them