ll twizzled. [She takes it from him] Sure yu'm
not feelin' yer 'ead?
STRANGWAY. [With a resolute effort] No!
MRS. BURLACOMBE. [Doubtfully] I'll send 'im in, then. [She goes.
When she is gone, Strangway passes his handkerchief across his
forehead, and his lips move fast. He is standing motionless when
CREMER, a big man in labourer's clothes, with a thick, broad face,
and tragic, faithful eyes, comes in, and stands a little in from the
closed door, quite dumb.]
STRANGWAY. [After a moment's silence--going up to him and laying a
hand on his shoulder] Jack! Don't give way. If we give way--we're
done.
CREMER. Yes, zurr. [A quiver passes over his face.]
STRANGWAY. She didn't. Your wife was a brave woman. A dear woman.
CREMER. I never thought to luse 'er. She never told me 'ow bad she
was, afore she tuk to 'er bed. 'Tis a dreadful thing to luse a wife,
zurr.
STRANGWAY. [Tightening his lips, that tremble] Yes. But don't give
way! Bear up, Jack!
CREMER. Seems funny 'er goin' blue-bell time, an' the sun shinin' so
warm. I picked up an 'orse-shu yesterday. I can't never 'ave 'er
back, zurr.
[His face quivers again.]
STRANGWAY. Some day you'll join her. Think! Some lose their wives
for ever.
CREMER. I don't believe as there's a future life, zurr. I think we
goo to sleep like the beasts.
STRANGWAY. We're told otherwise. But come here! [Drawing him to
the window] Look! Listen! To sleep in that! Even if we do, it
won't be so bad, Jack, will it?
CREMER. She wer' a gude wife to me--no man didn't 'ave no better
wife.
STRANGWAY. [Putting his hand out] Take hold--hard--harder! I want
yours as much as you want mine. Pray for me, Jack, and I'll pray for
you. And we won't give way, will we?
CREMER. [To whom the strangeness of these words has given some
relief] No, zurr; thank 'ee, zurr. 'Tes no gude, I expect. Only,
I'll miss 'er. Thank 'ee, zurr; kindly.
[He lifts his hand to his head, turns, and uncertainly goes out
to the kitchen. And STRANGWAY stays where he is, not knowing
what to do. They blindly he takes up his flute, and hatless,
hurries out into the air.]
ACT II
SCENE I
About seven o'clock in the taproom of the village inn. The bar,
with the appurtenances thereof, stretches across one end, and
opposite is the porch door on to the green. The wall between is
nearly all window, with l
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