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ever. It cawn't! Blood-and-kindness! Spill the blood o' them that aren't kind--an' there ye are! PRESS. But pardon me, how are you to tell? LEMMY. Blimy, they leaps to the heye! PRESS. [Laying down-his note-book] I say, let me talk to you as man to man for a moment. LEMMY. Orl right. Give it a rest! PRESS. Your sentiments are familiar to me. I've got a friend on the Press who's very keen on Christ and kindness; and wants to strangle the last king with the--hamstrings of the last priest. LEMMY. [Greatly intrigued] Not 'arf! Does 'e? PRESS. Yes. But have you thought it out? Because he hasn't. LEMMY. The difficulty is--where to stop. PRESS. Where to begin. LEMMY. Lawd! I could begin almost anywhere. Why, every month abaht, there's a cove turns me aht of a job 'cos I daon't do just wot 'e likes. They'd 'ave to go. I tell yer stryte--the Temple wants cleanin' up. PRESS. Ye-es. If I wrote what I thought, I should get the sack as quick as you. D'you say that justifies me in shedding the blood of my boss? LEMMY. The yaller Press 'as got no blood--'as it? You shed their ile an' vinegar--that's wot you've got to do. Stryte--do yer believe in the noble mission o' the Press? PRESS. [Enigmatically] Mr. Lemmy, I'm a Pressman. LEMMY. [Goggling] I see. Not much! [Gently jogging his mother's elbow] Wyke up, old lydy! [For Mrs. LEMMY who has been sipping placidly at her port, is nodding. The evening has drawn in. LEMMY strikes a match on his trousers and lights a candle.] Blood an' kindness-that's what's wanted--'specially blood! The 'istory o' me an' my family'll show yer that. Tyke my bruver Fred --crushed by burycrats. Tyke Muvver 'erself. Talk o' the wrongs o' the people! I tell yer the foundytions is rotten. [He empties the bottle into his mother's mug] Daon't mind the mud at the bottom, old lydy--it's all strengthenin'! You tell the Press, Muvver. She can talk abaht the pawst. PRESS. [Taking up his note-book, and becoming, again his professional self] Yes, Mrs. Lemmy? "Age and Youth--Past and Present--" MRS. L. Were yu talkin' about Fred? [The port has warmed her veins, the colour in her eyes and cheeks has deepened] My son Fred was always a gude boy--never did nothin' before 'e married. I can see Fred [She bends forward a little in her chair, looking straight before her] acomin' in wi' a pheasant 'e'd found--terrible 'e
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