ygone glory? Is it
not worth some sacrifice of our pettier dignity, to avoid laying
another stone upon its grave; to avoid placing before the searchlight
eyes of History the spectacle of yet one more piece of national
cynicism? We are about to force our will and our dominion on a race
that has always been free, that loves its country, and its
independence, as much as ever we love ours. I cannot sit silent
to-night and see this begin. As we are tender of our own land, so we
should be of the lands of others. I love my country. It is because
I love my country that I raise my voice. Warlike in spirit these
people may be--but they have no chance against ourselves. And war on
such, however agreeable to the blind moment, is odious to the future.
The great heart of mankind ever beats in sense and sympathy with the
weaker. It is against this great heart of mankind that we are going.
In the name of Justice and Civilization we pursue this policy; but by
Justice we shall hereafter be judged, and by Civilization--condemned.

While he is speaking, a little figure has flown along the
terrace outside, in the direction of the music, but has stopped
at the sound of his voice, and stands in the open window,
listening--a dark-haired, dark-eyed child, in a blue
dressing-gown caught up in her hand. The street musicians,
having reached the end of a tune, are silent.

In the intensity of MORES feeling, a wine-glass, gripped too
strongly, breaks and falls in pieces onto a finger-bowl. The
child starts forward into the room.

MORE. Olive!

OLIVE. Who were you speaking to, Daddy?

MORE. [Staring at her] The wind, sweetheart!

OLIVE. There isn't any!

MORE. What blew you down, then?

OLIVE. [Mysteriously] The music. Did the wind break the
wine-glass, or did it come in two in your hand?

MORE. Now my sprite! Upstairs again, before Nurse catches you.
Fly! Fly!

OLIVE. Oh! no, Daddy! [With confidential fervour] It feels like
things to-night!

MORE. You're right there!

OLIVE. [Pulling him down to her, and whispering] I must get back
again in secret. H'sh!

She suddenly runs and wraps herself into one of the curtains of
the bay window. A young man enters, with a note in his hand.

MORE. Hello, Steel!

[The street musicians have again begun to play.]

STEEL. From Sir John--by special messenger from the War Office.

MORE. [Reading the no