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Project Gutenberg has 40 mirror sites in many countries and is seeking new ones. It also encourages the use of P2P for sharing its books. People can also choose ebooks from the "Top 100", i.e. the top 100 ebooks and the top 100 authors for the previous day, the last 7 days and the last 30 days. Project Gutenberg ebooks can also help bridge the "digital divide". They can be read on an outdated computer or a second-hand PDA costing just a few dollars. Solar-powered PDAs offer a good solution in remote regions. It is hoped machine translation software will be able to convert the books from one to another of 100 languages. In ten years from now (August 2009), machine translation may be judged 99% satisfactory--research is active on that front--allowing for the reading of literary classics in a choice of many languages. Project Gutenberg is also interested in combining translation software and human translators, somewhat as OCR software is now combined with the work of proofreaders. 38 years after the beginning of Project Gutenberg, Michael Hart describes himself as a workaholic who has devoted his entire life to his project. He considers himself a pragmatic and farsighted altruist. For years he was regarded as a nut but now he is respected. He wants to change the world through freely-available ebooks that can be used and copied endlessly, and reading and culture for everyone at minimal cost. Project Gutenberg's mission can be stated in eight words: "To encourage the creation and distribution of ebooks," by everybody, and by every possible means, while implementing new ideas, new methods and new software. Copyright (C) 2009 Marie Lebert End of Project Gutenberg's Project Gutenberg (1971-2009), by Marie Lebert *** END OF THIS PROJECT GUTENBERG EBOOK PROJECT GUTENBERG (1971-2009) *** ***** This file should be named 31632.txt or 31632.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/1/6/3/31632/ Produced by Al Haines Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, ap
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