are the others, and
their contraction can be checked only by that of the central fasciae of
the frontal muscle; these latter fasciae draw up the inner ends of the
eyebrows and wrinkle the forehead in a peculiar manner, which we
instantly recognize as the expression of grief or anxiety. Slight
movements, such as these just described, or the scarcely perceptible
drawing down of the corners of the mouth, are the last remnants or
rudiments of strongly marked and intelligible movements. They are as
full of significance to us in regard to expression as are ordinary
rudiments to the naturalist in the classification and genealogy of
organic beings.
That the chief expressive actions exhibited by man and by the lower
animals are now innate or inherited--that is, have not been learned by
the individual--is admitted by everyone. So little has learning or
imitation to do with several of them that they are from the earliest
days and throughout life quite beyond our control; for instance, the
relaxation of the arteries of the skin in blushing, and the increased
action of the heart in anger. We may see children only two or three
years old, and even those born blind, blushing from shame; and the naked
scalp of a very young infant reddens from passion. Infants scream from
pain directly after birth, and all their features then assume the same
form as during subsequent years. These facts alone suffice to show that
many of our most important expressions have not been learned; but it is
remarkable that some, which are certainly innate, require practice in
the individual before they are performed in a full and perfect manner;
for instance, weeping and laughing. The inheritance of most of our
expressive actions explains the fact that those born blind display them,
as I hear from the Rev. R. H. Blair, equally well with those gifted with
eyesight. We can thus also understand the fact that the young and the
old of widely different races, both with man and animals, express the
same state of mind by the same movement.
We are so familiar with the fact of young and old animals displaying
their feelings in the same manner that we hardly perceive how remarkable
it is that a young puppy should wag its tail when pleased, depress its
ears and uncover its canine teeth when pretending to be savage, just
like an old dog; or that a kitten should arch its little back and erect
its hair when frightened and angry, like an old cat. When, however, we
turn to l
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