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are the others, and their contraction can be checked only by that of the central fasciae of the frontal muscle; these latter fasciae draw up the inner ends of the eyebrows and wrinkle the forehead in a peculiar manner, which we instantly recognize as the expression of grief or anxiety. Slight movements, such as these just described, or the scarcely perceptible drawing down of the corners of the mouth, are the last remnants or rudiments of strongly marked and intelligible movements. They are as full of significance to us in regard to expression as are ordinary rudiments to the naturalist in the classification and genealogy of organic beings. That the chief expressive actions exhibited by man and by the lower animals are now innate or inherited--that is, have not been learned by the individual--is admitted by everyone. So little has learning or imitation to do with several of them that they are from the earliest days and throughout life quite beyond our control; for instance, the relaxation of the arteries of the skin in blushing, and the increased action of the heart in anger. We may see children only two or three years old, and even those born blind, blushing from shame; and the naked scalp of a very young infant reddens from passion. Infants scream from pain directly after birth, and all their features then assume the same form as during subsequent years. These facts alone suffice to show that many of our most important expressions have not been learned; but it is remarkable that some, which are certainly innate, require practice in the individual before they are performed in a full and perfect manner; for instance, weeping and laughing. The inheritance of most of our expressive actions explains the fact that those born blind display them, as I hear from the Rev. R. H. Blair, equally well with those gifted with eyesight. We can thus also understand the fact that the young and the old of widely different races, both with man and animals, express the same state of mind by the same movement. We are so familiar with the fact of young and old animals displaying their feelings in the same manner that we hardly perceive how remarkable it is that a young puppy should wag its tail when pleased, depress its ears and uncover its canine teeth when pretending to be savage, just like an old dog; or that a kitten should arch its little back and erect its hair when frightened and angry, like an old cat. When, however, we turn to l
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