ck of it; (4) his range in
characterization; (5) his power of suggestion as over against his
vividness of delineation; (6) his economy--or lack of it--in expression.
Where does his main strength lie?

BIBLIOGRAPHY

Under the Wheel. A Modern Play in Six Scenes. 1890.
*Main-Traveled Roads. 1890.
Jason Edwards. 1891.
A Little Norsk. 1891.
*Prairie Folks. 1892.
A Spoil of Office. A Story of the Modern West. 1892.
A Member of the Third House. 1892.
Crumbling Idols. 1893. (Essays.)
Prairie Songs. 1894.
*Rose of Dutcher's Coolly. 1895.
Wayside Courtships. 1897.
The Spirit of Sweetwater. 1898.
Boy Life on the Prairie. 1899. (Autobiographical.)
The Eagle's Heart. 1900.
Her Mountain Lover. 1901.
The Captain of the Gray Horse Troop. A Novel. 1902.
Hesper. A Novel. 1903.
The Light of the Star. A Novel. 1904.
The Tyranny of the Dark. 1905. (Novel.)
The Long Trail. A Story of the Northwest Wilderness. 1907.
Money Magic. A Novel. 1907.
The Shadow World. 1908. (Novel.)
The Moccasin Ranch. A Story of Dakota. 1909.
Cavanagh, Forest Ranger. A Romance of the Mountain West. 1909.
*Other Main-Traveled Roads. 1910.
Victor Ollnee's Discipline, 1911. (Novel.)
The Forester's Daughter. A Romance of the Bear-Tooth Range. 1914.
They of the High Trails. 1916.
A Son of the Middle Border. 1917. (Autobiographical.)
A Daughter of the Middle Border. 1921. (Autobiographical.)

STUDIES AND REVIEWS

Boynton.
Harkins.
Pattee.

Arena, 34 ('05): 112 (portrait), 206.
Bookm. 31 ('10): 226 (portrait), 309.
Chaut. 64 ('11): 322 (portrait).
Cur. Lit. 53 ('12): 589.
Cur. Op. 63 ('17): 412.
Lit. Digest, 55 ('17): Sept. 15, p. 28 (portrait).
No. Am. 196 ('12): 523.
R. of Rs. 25 ('02): 701 (portrait).
Sewanee R. 27 ('19): 411.
Touchstone, 2 ('17): 322.
World's Work, 6 ('03): 3695.

+Katharine Fullerton Gerould (Mrs. Gordon Hall Gerould)+--short-story
writer, novelist, essayist.

Born at Brockton, Massachusetts, 1879. A.B., Radcliffe College, 1900;
A.M., 1901. Reader in English at Bryn Mawr College, 1901-10, except
1908-9 which she spent in England and France.

SUGGESTIONS FOR READING

1. Mrs. Gerould belongs to the school of Henry James, but shows marked
individuality in her themes and in her dramatic power. A comparison of
some of her short stories with stories by Mr. James (q.v.) and by Mrs.
Whart