just about what he is writing--until a scene or two
later, when the letter is delivered to and read by the one to whom it
is addressed. On the other hand, we sometimes see an actor write a
letter, immediately after which, as he reads it over, it is flashed on
the screen. Then, later, we see it delivered, but although the one
receiving it is seen to read it, it is not flashed upon the screen
again, because the beholder has so recently been shown what it
contains. But it sometimes happens that more than one letter enters
into the development of the plot at a certain point, and hence there
may be some slight confusion caused by the spectator's not knowing
which of two letters the player is supposed to be reading. It is to
avoid this confusion that directors generally flash a few feet of the
letter a second time, simply to identify it. Thus, if the letter that
Tom wrote to Nelly in Scene 6 is delivered to her together with one
from her friend Kate in Scene 8, you may write:
Postman hands Nelly two letters. She registers delight upon
noticing handwriting on one envelope. Opens it immediately
and reads:
On screen. Flash two or three feet of Tom's letter, same as in 6.
Back to scene.
Few spectators will object to the introduction of letters, telegrams,
newspaper items, and the like--provided there are not too many such
inserts--because these seem to fit into the picture as a part of the
action, and are not, like leaders, plainly artificial interpolations
by the author. It need hardly be pointed out, however, that letters
and other written messages must not be introduced except for logical
reasons. More than one case has been known in which the scenario
submitted to an editor specified that one character was to write and
hand to another a note which the second character was to read--the
note, of course, was to be shown on the screen--when the contents
were simply the words which, on the regular stage, the first actor
would speak to the other! Of course, no director would allow such a
thing to take place in his picture. In a situation where the story
could actually be advanced by showing the beholder what a certain
player was supposed to be saying to another, it would be only
necessary to introduce a cut-in leader, as previously described.
We have spoken of substituting a newspaper item for a letter. Wherever
this can be done, it is well to do it; the newspaper item, being
printed, is at least readable.
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