f my years falls short of eighty, I feel so much
older than either of them, that it never occurs to me to think of them
as "old," and often as I contemplate their really glowing energetic
youth, I grow melancholy for myself, and wonder what has become of my
own.
They were schoolgirls together. Luccia married Irene's brother--for they
allow me the privilege of calling them by their Christian names--and
they have been friends all their lives. Sometimes I see them together,
though oftener apart, for Luccia and her white-haired poet husband--no
"older" than herself,--are neighbours of mine in the country, and Irene
lives for the most part in New York--as much in love with its giant
developments as though she did not also cherish memories of that quaint,
almost vanished, New York of her girlhood days; for she is nothing if
not progressive.
But I will tell about Luccia first, and the first thing it is natural to
speak of--so every one else finds too--is her beauty. They say that she
was beautiful when she was young (I am compelled sometimes, under
protest, to use the words "young" and "old" thus chronologically) and,
of course, she must have been. I have, however, seen some of her early
portraits, before her hair was its present beautiful colour, and I must
confess that the Luccia of an earlier day does not compare with the
Luccia of today. I don't think I should have fallen in love with her
then, whereas now it is impossible to take one's eyes off her. She seems
to have grown more flower-like with the years, and while her lovely
indestructible profile has gathered distinction, and a lifelong habit of
thinking beautiful thoughts, and contemplating beautiful things, has
drawn honeyed lines as in silver point about her eyes and mouth, the
wild-roses of her cheeks still go on blooming--like wild-roses in
moonlight. And over all glow her great clear witty eyes, the eyes of a
_grand dame_ who has still remained a girl. Her humour, no doubt, has
much to do with her youth, and I have seen strangers no little
surprised, even disconcerted, at finding so keen a humour in one so
beautiful; for beauty and humour are seldom found together in so
irresistible a combination. Is it to be wondered at that often on summer
days when I feel the need of a companion, I go in search of Luccia, and
take tea with her on the veranda? Sometimes I will find her in the
garden seated in front of her easel, making one of her delicate
water-colour sketch
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