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f my years falls short of eighty, I feel so much older than either of them, that it never occurs to me to think of them as "old," and often as I contemplate their really glowing energetic youth, I grow melancholy for myself, and wonder what has become of my own. They were schoolgirls together. Luccia married Irene's brother--for they allow me the privilege of calling them by their Christian names--and they have been friends all their lives. Sometimes I see them together, though oftener apart, for Luccia and her white-haired poet husband--no "older" than herself,--are neighbours of mine in the country, and Irene lives for the most part in New York--as much in love with its giant developments as though she did not also cherish memories of that quaint, almost vanished, New York of her girlhood days; for she is nothing if not progressive. But I will tell about Luccia first, and the first thing it is natural to speak of--so every one else finds too--is her beauty. They say that she was beautiful when she was young (I am compelled sometimes, under protest, to use the words "young" and "old" thus chronologically) and, of course, she must have been. I have, however, seen some of her early portraits, before her hair was its present beautiful colour, and I must confess that the Luccia of an earlier day does not compare with the Luccia of today. I don't think I should have fallen in love with her then, whereas now it is impossible to take one's eyes off her. She seems to have grown more flower-like with the years, and while her lovely indestructible profile has gathered distinction, and a lifelong habit of thinking beautiful thoughts, and contemplating beautiful things, has drawn honeyed lines as in silver point about her eyes and mouth, the wild-roses of her cheeks still go on blooming--like wild-roses in moonlight. And over all glow her great clear witty eyes, the eyes of a _grand dame_ who has still remained a girl. Her humour, no doubt, has much to do with her youth, and I have seen strangers no little surprised, even disconcerted, at finding so keen a humour in one so beautiful; for beauty and humour are seldom found together in so irresistible a combination. Is it to be wondered at that often on summer days when I feel the need of a companion, I go in search of Luccia, and take tea with her on the veranda? Sometimes I will find her in the garden seated in front of her easel, making one of her delicate water-colour sketch
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