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r, they painted a hog or a serpent, which delight in humid places, and the combination of these figures carried the known sense of words and phrases.* But as this sense could not be fixed with precision, as the number of these figures and their combinations became excessive, and overburdened the memory, the immediate consequence was confusion and false interpretations. Genius afterwards having invented the more simple art of applying signs to sounds, of which the number is limited, and painting words, instead of thoughts, alphabetical writing thus threw into disuetude hieroglyphical painting; and its signification, falling daily into oblivion, gave rise to a multitude of illusions, ambiguities, and errors. * The reader will doubtless see with pleasure some examples of ancient hieroglyphics. "The Egyptians (says Hor-appolo) represent eternity by the figures of the sun and moon. They designate the world by the blue serpent with yellow scales (stars, it is the Chinese Dragon). If they were desirous of expressing the year, they drew a picture of Isis, who is also in their language called Sothis, or dog-star, one of the first constellations, by the rising of which the year commences; its inscription at Sais was, It is I that rise in the constellation of the Dog. "They also represent the year by a palm tree, and the month by one of its branches, because it is the nature of this tree to produce a branch every month. They farther represent it by the fourth part of an acre of land." The whole acre divided into four denotes the bissextile period of four years. The abbreviation of this figure of a field in four divisions, is manifestly the letter ha or het, the seventh in the Samaritan alphabet; and in general all the letters of the alphabet are merely astronomical hieroglyphics; and it is for this reason that the mode of writing is from right to left, like the march of the stars. --"They denote a prophet by the image of a dog, because the dog star (Anoubis) by its rising gives notice of the inundation. Noubi, in Hebrew signifies prophet--They represent inundation by a lion, because it takes place under that sign: and hence, says Plutarch, the custom of placing at the gates of temples figures of lions with water issuing from their mouths.--They express the idea of God and d
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