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ustment Board, Rochester THE IMMIGRANT PRESS AND ITS CONTROL. (In preparation) Robert E. Park, Professorial Lecturer, University of Chicago THE IMMIGRANT'S DAY IN COURT. (In preparation) Kate Holladay Claghorn, Instructor in Social Research, New York School of Social Work AMERICANS BY CHOICE. (In preparation) John P. Gavit, Vice-President, New York _Evening Post_ SUMMARY. (In preparation) Allen T. Burns, Director, Studies in Methods of Americanization _Harper & Brothers Publishers_ [Transcriber's Note: * The footnotes have been moved to the end of the relevant chapter. * Americanization Studies section moved from the beginning to the end of the book. * p. 106: Table III was broken into four parts due to size. * p. 193 "Nemec" ("Rev. Matt W. Nemec") and p. 263 "Nemac" ("Nemac, Matt W.") retained as printed. * Added "period" to the ending of Chapter XI, Footnote 14. End of Project Gutenberg's A Stake in the Land, by Peter Alexander Speek *** END OF THIS PROJECT GUTENBERG EBOOK A STAKE IN THE LAND *** ***** This file should be named 30529.txt or 30529.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/3/0/5/2/30529/ Produced by Tom Roch, Larry B. Harrison and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images produced by Core Historical Literature in Agriculture (CHLA), Cornell University) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away-
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