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ennsylvania Historical Society Memoirs (vols. i., ii., iii.). Also the Correspondence between William Penn and James Logan, edited for this Society, by Edward Armstrong. 5. The Penns and the Penningtons, by Maria Webb (London, 1867), containing family letters. 6. Recent biographies of Penn: by William Hepworth Dixon (1851), by Samuel M. Janney (1852), by John Stoughton (1882), by Sydney George Fisher (1900). The Riverside Press _Electrotyped and printed by H. O. Houghton & Co._ _Cambridge, Mass., U. S. A._ * * * * * Transcriber's note The following changes have been made to the text: In the TOC "58" changed to "53". Page 23: "seventeeenth" changed to "seventeenth". Page 42: "Quaker brethen" changed to "Quaker brethren". Page 49: "died when he" changed to "died when she". Page 57: "serious inprisonment" changed to "serious imprisonment". Page 62: "body prevented" changed to "body prevented it". End of the Project Gutenberg EBook of William Penn, by George Hodges *** END OF THIS PROJECT GUTENBERG EBOOK WILLIAM PENN *** ***** This file should be named 28394.txt or 28394.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/8/3/9/28394/ Produced by Carla Foust and The Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified an
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