lined to give any
pledge on the burning question of the Clergy Reserves and was defeated. In
1858 the Liberal-Conservative party, formed in 1854 by a coalition,
attempted to bring him out as a candidate for the upper house, which was at
this date elective, but though he had broken with the advanced reformers,
he could not approve of the tactics of their opponents, and refused to
stand. He died on the 9th of December 1858. Even those who most bitterly
attacked his measures admitted the purity and unselfishness of his motives.
After the concession of responsible government, he devoted himself to
bringing about [v.03 p.0248] a good understanding between the English and
French-speaking inhabitants of Canada, and his memory is held as dear among
the French Canadians as in his native province of Ontario.
See J. C. Dent, _Canadian Portrait Gallery_ (1880). His life, by the Hon.
Geo. W. Ross, is included in _The Makers of Canada_ series (Toronto).
BALE, JOHN (1495-1563), bishop of Ossory, English author, was born at Cove,
near Dunwich in Suffolk, on the 21st of November 1495. At the age of twelve
he entered the Carmelite monastery at Norwich, removing later to the house
of "Holme," probably the abbey of the Whitefriars at Hulne near Alnwick.
Later he entered Jesus College, Cambridge, and took his degree of B.D. in
1529. At Cambridge he came under the influence of Cranmer and of Thomas
Wentworth, 1st Baron Wentworth, and became an ardent partisan of the
Reformers. He laid aside his monastic habit, and, as he himself puts it
with characteristically brutal violence, "that I might never more serve so
execrable a beast, I took to wife the faithful Dorothy." He obtained the
living of Thornden, Suffolk, but in 1534 was summoned before the archbishop
of York for a sermon against the invocation of saints preached at
Doncaster, and afterwards before Stokesley, bishop of London, but he
escaped through the powerful protection of Thomas Cromwell, whose notice he
is said to have attracted by his miracle plays. He was an unscrupulous
controversialist, and in these plays he allows no considerations of decency
to stand in the way of his denunciations of the monastic system and its
supporters. The prayer of Infidelitas which opens the second act of his
_Thre Laws_ (quoted by T. Warton, _Hist. Eng. Poetry_, sect. 41) is an
example of the lengths to which he went in profane parody. These coarse and
violent productions were well calculated to impr
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