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lined to give any pledge on the burning question of the Clergy Reserves and was defeated. In 1858 the Liberal-Conservative party, formed in 1854 by a coalition, attempted to bring him out as a candidate for the upper house, which was at this date elective, but though he had broken with the advanced reformers, he could not approve of the tactics of their opponents, and refused to stand. He died on the 9th of December 1858. Even those who most bitterly attacked his measures admitted the purity and unselfishness of his motives. After the concession of responsible government, he devoted himself to bringing about [v.03 p.0248] a good understanding between the English and French-speaking inhabitants of Canada, and his memory is held as dear among the French Canadians as in his native province of Ontario. See J. C. Dent, _Canadian Portrait Gallery_ (1880). His life, by the Hon. Geo. W. Ross, is included in _The Makers of Canada_ series (Toronto). BALE, JOHN (1495-1563), bishop of Ossory, English author, was born at Cove, near Dunwich in Suffolk, on the 21st of November 1495. At the age of twelve he entered the Carmelite monastery at Norwich, removing later to the house of "Holme," probably the abbey of the Whitefriars at Hulne near Alnwick. Later he entered Jesus College, Cambridge, and took his degree of B.D. in 1529. At Cambridge he came under the influence of Cranmer and of Thomas Wentworth, 1st Baron Wentworth, and became an ardent partisan of the Reformers. He laid aside his monastic habit, and, as he himself puts it with characteristically brutal violence, "that I might never more serve so execrable a beast, I took to wife the faithful Dorothy." He obtained the living of Thornden, Suffolk, but in 1534 was summoned before the archbishop of York for a sermon against the invocation of saints preached at Doncaster, and afterwards before Stokesley, bishop of London, but he escaped through the powerful protection of Thomas Cromwell, whose notice he is said to have attracted by his miracle plays. He was an unscrupulous controversialist, and in these plays he allows no considerations of decency to stand in the way of his denunciations of the monastic system and its supporters. The prayer of Infidelitas which opens the second act of his _Thre Laws_ (quoted by T. Warton, _Hist. Eng. Poetry_, sect. 41) is an example of the lengths to which he went in profane parody. These coarse and violent productions were well calculated to impr
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