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of extravagant labour there have left marks upon him physically that can never be effaced. But that bookcase fascinates me. Half the great names of modern thought are in those books.' And so they were. The first Langham opened had a Latin dedication in a quavering old man's hand, 'Amico et discipulo meo,' signed 'Fredericus Gulielmus Schelling.' The next bore the autograph of Alexander von Humboldt, the next that of Boeckh, the famous classic, and so on. Close by was Niebuhr's History, in the title-page of which a few lines in the historian's handwriting bore witness to much 'pleasant discourse between the writer and Roger Wendover, at Bonn, in the summer of 1847.' Judging from other shelves farther down, he must also have spent some time, perhaps an academic year, at Tuebingen, for here were most of the early editions of the _Leben Jesu_, with some corrections from Strauss's hand, and similar records of Baur, Ewald, and other members or opponents of the Tuebingen school. And so on, through the whole bookcase. Something of everything was there--Philosophy, Theology, History, Philology. The collection was a medley, and made almost a spot of disorder in the exquisite neatness and system of the vast gathering of which it formed part. Its bond of union was simply that it represented the forces of an epoch, the thoughts, the men, the occupations which had absorbed the energies of ten golden years. Every book seemed to be full of paper marks; almost every title-page was covered with minute writing, which, when examined, proved to contain a record of lectures, or conversations with the author of the volume, sometimes a string of anecdotes or a short biography, rapidly sketched out of the fulness of personal knowledge, and often seasoned with a subtle causticity and wit. A history of modern thinking Germany, of that 'unextinguished hearth' whence the mind of Europe has been kindled for three generations, might almost have been evolved from that bookcase and its contents alone. Langham, as he stood peering among the ugly, vilely-printed German volumes, felt suddenly a kind of magnetic influence creeping over him. The room seemed instinct with a harsh commanding presence. The history of a mind and soul was written upon the face of it; every shelf, as it were, was an autobiographical fragment, an 'Apologia pro Vita Mea.' He drew away from the books at last with the uneasy feeling of one who surprises a confidence, and looked f
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