aptain Mansana_" _was
written at Aulestad. It was almost immediately published in a Swedish,
and later in a German, translation._
_A Norwegian magazine, entitled_ "_Nyt Tidsskrift_," _was started in
Christiania in 1882, and continued to represent extreme liberal views
in Norway until 1887, when it ceased to appear. In 1892 an attempt was
made to resuscitate this periodical, under the general editorship of J.
E. Sars. The first number of this new series appeared in November of
that year, the opening article being the story of_ "_Mors haender_"
("_Mother's Hands_"). _It was reprinted in August 1894, in the
collection called_, "_Nye Fortaellinger_." _It is now for the first
time translated into English._
_E. G_.]
CAPTAIN MANSANA
AUTHOR'S PREFACE.
The following note was prefixed by the author to the first edition of
"Captain Mansana: an Italian Tale":
This story was originally published, several years ago, in a Danish
Christmas Annual, "From Hill and Dale," which was edited by Mr. H.
J. Greensteen. "Captain Mansana" has already run through two
editions in German, and many friends have urged the author to
republish it, in a separate form, and in his own tongue.
The following remarks seem necessary in consequence of some
criticisms which have appeared in the Danish and Swedish press.
The narrative, in all essential particulars, is based on facts,
and those of its incidents which appear most extraordinary, are
absolutely historical, the minutest details being in some cases
reproduced. Mansana himself is drawn from life. The achievements
credited to him in these pages, are those he actually performed;
and his singular experiences are here correctly described, so far,
at least, as they bear upon his psychological development.
The causes which induced me to make him the subject of the
following sketch may be found in a few lines of Theresa Leaney's
letter, with which the story closes. The reader should compare
Theresa's observations on Mansana, with the account of Lassalle,
given contemporaneously with the original publication of this
story, by Dr. Georg Brandes in his work on the "Nineteenth
Century." Any one who studies the masterly portrait painted by
Brandes, will observe that the inner forces which shaped Lassalle's
destiny are precisely the same as t
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