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t to his cloth, who appears as Parson Chowne in Blackmore's once popular novel, The Maid of Sker. But the Archdeacon was a man of blameless life, and not in the least like Parson Froude. A hard rider and passionately fond of hunting, he was a good judge of a horse and usually the best mounted man in the field. One of his exploits as an undergraduate was to jump the turnpike gate on the Abingdon road with pennies under his seat, between his knees and the saddle, and between his feet and the stirrups, without dropping one. Although he had been rather extravagant and something of a dandy, he was able to say that he could account for every sixpence he spent after the age of twenty-one. On leaving Oxford he settled down to the life of a country parson with conscientious thoroughness, and was reputed the best magistrate in the South Hams. Farming his own glebe, as he did, with skill and knowledge, perpetually occupied, as he was, with clerical or secular business, he found the Church of England, not then disturbed by any wave of enthusiasm, at once necessary and sufficient to his religious sense. His horror of Nonconformists was such that he would not have a copy of The Pilgrim's Progress in his house. He upheld the Bishop and all established institutions, believing that the way to heaven was to turn to the right and go straight on. There were many such clergymen in his day. In appearance he was a cold, hard, stern man, despising sentiment, reticent and self-restrained. But beneath the surface there lay deep emotions and an aesthetic sense, of which his drawings were the only outward sign. To these sketches he himself attached no value. "You can buy better at the nearest shop for sixpence," he would say, if he heard them praised. Yet good judges of art compared them with the early sketches of Turner, and Ruskin afterwards gave them enthusiastic praise. Mr. Froude had married, when quite a young man, Margaret Spedding, the daughter of an old college friend, from Armathwaite in Cumberland. Her nephew is known as the prince of Baconian scholars and the J. S. of Tennyson's poem. She was a woman of great beauty, deeply religious, belonging to a family more strongly given to letters and to science than the Froudes, whose tastes were rather for the active life of sport and adventure. One can imagine the Froudes of the sixteenth century manning the ships of Queen Bess and sailing with Frobisher or Drake. For many years Mrs. Frou
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