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The Project Gutenberg EBook of The Troubadours, by H.J. Chaytor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Troubadours Author: H.J. Chaytor Release Date: May 27, 2004 [EBook #12456] Language: English and French Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TROUBADOURS *** Produced by Ted Garvin, Renald Levesque and the Online Distributed Proofreading Team. THE TROUBADOURS BY REV. H.J. CHAYTOR, M.A. AUTHOR OF "THE TROUBADOURS OF DANTE" ETC. Cambridge: at the University Press 1912 _With the exception of the coat of arms at the foot, the design on the title page is a reproduction of one used by the earliest known Cambridge printer, John Siberch, 1521_ PREFACE This book, it is hoped, may serve as an introduction to the literature of the Troubadours for readers who have no detailed or scientific knowledge of the subject. I have, therefore, chosen for treatment the Troubadours who are most famous or who display characteristics useful for the purpose of this book. Students who desire to pursue the subject will find further help in the works mentioned in the bibliography. The latter does not profess to be exhaustive, but I hope nothing of real importance has been omitted. H.J. CHAYTOR. THE COLLEGE, PLYMOUTH, March 1912. CONTENTS PREFACE CHAP. I. INTRODUCTORY II. THE THEORY OF COURTLY LOVE III. TECHNIQUE IV. THE EARLY TROUBADOURS V. THE CLASSICAL PERIOD VI. THE ALBIGEOIS CRUSADE VII. THE TROUBADOURS IN ITALY VIII. THE TROUBADOURS IN SPAIN IX. PROVENCAL INFLUENCE IN GERMANY, FRANCE, AND ENGLAND BIBLIOGRAPHY AND NOTES INDEX [Transcriptor's note: Page numbers from the original document have been posted in the right margin to maintain the relevance of the index references.} THE TROUBADOURS [1] CHAPTER I INTRODUCTORY Few literatures have exerted so profound an influence upon the literary history of other peoples as the poetry of the troubadours. Attaining the highest point of technical perfection in the last half of the twelfth and the early years of the thirteenth century, Provencal poetry was already
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