The Project Gutenberg EBook of The Troubadours, by H.J. Chaytor
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: The Troubadours
Author: H.J. Chaytor
Release Date: May 27, 2004 [EBook #12456]
Language: English and French
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK THE TROUBADOURS ***
Produced by Ted Garvin, Renald Levesque and the Online Distributed
Proofreading Team.
THE TROUBADOURS
BY
REV. H.J. CHAYTOR, M.A.
AUTHOR OF
"THE TROUBADOURS OF DANTE"
ETC.
Cambridge:
at the University Press
1912
_With the exception of the coat of arms at
the foot, the design on the title page is a
reproduction of one used by the earliest known
Cambridge printer, John Siberch, 1521_
PREFACE
This book, it is hoped, may serve as an introduction to the literature
of the Troubadours for readers who have no detailed or scientific
knowledge of the subject. I have, therefore, chosen for treatment the
Troubadours who are most famous or who display characteristics useful
for the purpose of this book. Students who desire to pursue the subject
will find further help in the works mentioned in the bibliography. The
latter does not profess to be exhaustive, but I hope nothing of real
importance has been omitted.
H.J. CHAYTOR.
THE COLLEGE,
PLYMOUTH, March 1912.
CONTENTS
PREFACE
CHAP.
I. INTRODUCTORY
II. THE THEORY OF COURTLY LOVE
III. TECHNIQUE
IV. THE EARLY TROUBADOURS
V. THE CLASSICAL PERIOD
VI. THE ALBIGEOIS CRUSADE
VII. THE TROUBADOURS IN ITALY
VIII. THE TROUBADOURS IN SPAIN
IX. PROVENCAL INFLUENCE IN GERMANY, FRANCE, AND ENGLAND
BIBLIOGRAPHY AND NOTES
INDEX
[Transcriptor's note: Page numbers from the original document have
been posted in the right margin to maintain the relevance of the
index references.}
THE TROUBADOURS [1]
CHAPTER I
INTRODUCTORY
Few literatures have exerted so profound an influence upon the literary
history of other peoples as the poetry of the troubadours. Attaining the
highest point of technical perfection in the last half of the twelfth
and the early years of the thirteenth century, Provencal poetry was
already
|