PIERRETTE

I

THE LORRAINS

At the dawn of an October day in 1827 a young fellow about sixteen
years of age, whose clothing proclaimed what modern phraseology so
insolently calls a proletary, was standing in a small square of Lower
Provins. At that early hour he could examine without being observed
the various houses surrounding the open space, which was oblong in
form. The mills along the river were already working; the whirr of
their wheels, repeated by the echoes of the Upper Town in the keen air
and sparkling clearness of the early morning, only intensified the
general silence so that the wheels of a diligence could be heard a
league away along the highroad. The two longest sides of the square,
separated by an avenue of lindens, were built in the simple style
which expresses so well the peaceful and matter-of-fact life of the
bourgeoisie. No signs of commerce were to be seen; on the other hand,
the luxurious porte-cocheres of the rich were few, and those few
turned seldom on their hinges, excepting that of Monsieur Martener, a
physician, whose profession obliged him to keep a cabriolet, and to
use it. A few of the house-fronts were covered by grape vines, others
by roses climbing to the second-story windows, through which they
wafted the fragrance of their scattered bunches. One end of the square
enters the main street of the Lower Town, the gardens of which reach
to the bank of one of the two rivers which water the valley of
Provins. The other end of the square enters a street which runs
parallel to the main street.

At the latter, which was also the quietest end of the square, the
young workman recognized the house of which he was in search, which
showed a front of white stone grooved in lines to represent courses,
windows with closed gray blinds, and slender iron balconies decorated
with rosettes painted yellow. Above the ground floor and the first
floor were three dormer windows projecting from a slate roof; on the
peak of the central one was a new weather-vane. This modern innovation
represented a hunter in the attitude of shooting a hare. The front
door was reached by three stone steps. On one side of this door a
leaden pipe discharged the sink-water into a small street-gutter,
showing the whereabouts of the kitchen. On the other side were two
windows, carefully closed by gray shutters in which were heart-shaped