openings cut to admit the light; these windows seemed to be those of
the dining-room. In the elevation gained by the three steps were
vent-holes to the cellar, closed by painted iron shutters fantastically
cut in open-work. Everything was new. In this repaired and restored
house, the fresh-colored look of which contrasted with the time-worn
exteriors of all the other houses, an observer would instantly
perceive the paltry taste and perfect self-satisfaction of the retired
petty shopkeeper.

The young man looked at these details with an expression of pleasure
that seemed to have something rather sad in it; his eyes roved from
the kitchen to the roof, with a motion that showed a deliberate
purpose. The rosy glow of the rising sun fell on a calico curtain at
one of the garret windows, the others being without that luxury. As he
caught sight of it the young fellow's face brightened gaily. He
stepped back a little way, leaned against a linden, and sang, in the
drawling tone peculiar to the west of France, the following Breton
ditty, published by Bruguiere, a composer to whom we are indebted for
many charming melodies. In Brittany, the young villagers sing this
song to all newly-married couples on their wedding-day:--

"We've come to wish you happiness in marriage,
To m'sieur your husband
As well as to you:

"You have just been bound, madam' la mariee,
With bonds of gold
That only death unbinds:

"You will go no more to balls or gay assemblies;
You must stay at home
While we shall go.

"Have you thought well how you are pledged to be
True to your spouse,
And love him like yourself?

"Receive these flowers our hands do now present you;
Alas! your fleeting honors
Will fade as they."

This native air (as sweet as that adapted by Chateaubriand to _Ma
soeur, te souvient-il encore_), sung in this little town of the Brie
district, must have been to the ears of a Breton maiden the touchstone
of imperious memories, so faithfully does it picture the manners and
customs, the surroundings and the heartiness of her noble old land,
where a sort of melancholy reigns, hardly to be defined; caused,
perhaps, by the aspect of life in Brittany, which is deeply touching.
This power of awakening a world of grave and sweet and tender memories
by a familiar and sometimes lively ditty, is the privilege of those
popular songs which are the superstitions of music,--if we may use the
word "