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unded by a necklace that might have driven any Parisian belle frantic with envy. The poor Raiput was awfully sleepy, but he stuck heroically to his duties, and, thoughtfully pulling his beard, led us all through the endless labyrinth of metaphysical entanglements of the Ramayana. During the entr'actes we were offered coffee, sherbets, and cigarettes, which we smoked even during the performance, sitting in front of the stage in the first row. We were covered, like idols, with garlands of flowers, and the manager, a stout Hindu clad in transparent muslins, sprinkled us several times with rose-water. The performance began at eight p.m. and, at half-past two, had only reached the ninth act. In spite of each of us having a punkah-wallah at our backs, the heat was unbearable. We had reached the limits of our endurance, and tried to excuse ourselves. This led to general disturbance, on the stage as well as in the auditorium. The airy chariot, on which the wicked king Ravana was carrying Sita away, paused in the air. The king of the Nagas (serpents) ceased breathing flames, the monkey soldiers hung motionless on the trees, and Rama himself, clad in light blue and crowned with a diminutive pagoda, came to the front of the stage and pronounced in pure English speech, in which he thanked us for the honour of our presence. Then new bouquets, pansu-paris, and rose-water, and, finally, we reached home about four a.m. Next morning we learned that the performance had ended at half-past six. On The Way To Karli It is an early morning near the end of March. A light breeze caresses with its velvety hand the sleepy faces of the pilgrims; and the intoxicating perfume of tuberoses mingles with the pungent odors of the bazaar. Crowds of barefooted Brahman women, stately and well-formed, direct their steps, like the biblical Rachel, to the well, with brass water pots bright as gold upon their heads. On our way lie numerous sacred tanks, filled with stagnant water, in which Hindus of both sexes perform their prescribed morning ablutions. Under the hedge of a garden somebody's tame mongoose is devouring the head of a cobra. The headless body of the snake convulsively, but harmlessly, beats against the thin flanks of the little animal, which regards these vain efforts with an evident delight. Side by side with this group of animals is a human figure; a naked mali (gardener), offering betel and salt to a monstrous stone idol of Shiv
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