whom Cleopatra had given to Julius Caesar. Antony had honoured him with
the proud title of "King of kings"; yet he was permitted neither to rule
nor even to issue orders, for his mother kept him aloof from affairs of
state, and he himself had no desire to hold the sceptre.

Gorgias had granted his wish the more readily, because it was apparent
that he wanted to speak to him in private, though he had not the least
idea what Caesarion desired to confide, and, under any circumstances, he
could give him only a brief interview. The fleet, at whose head the Queen
had set sail, with Mark Antony, for Greece, must have already met
Octavianus's galleys, and doubtless a battle wherein the destiny of the
world was decided had also been fought upon the land, Gorgias believed
that the victory would fall to Antony and the Queen, and wished the noble
pair success with his whole heart. He was even obliged to act as if the
battle had been already determined in their favour, for the architectural
preparations for the reception of the conquerors were entrusted to his
charge, and that very day must witness the decision of the location of
the colossal statues which represented Antony hand in hand with his royal
love.

The epitrop Mardion, a eunuch, who as Regent, represented Cleopatra; and
Zeno, the Keeper of the Seal, who rarely opposed him, wished to have the
piece of sculpture erected in a different place from the one he favoured.
The principal objection to the choice made by the powerful head of the
government was that it had fallen on land owned by a private individual.
This might lead to difficulties, and Gorgias opposed it. As an artist,
too, he did not approve Mardion's plan; for though, on Didymus's land,
the statues would have faced the sea, which the Regent and the Keeper of
the Seal regarded as very important, no fitting background could have
been obtained.

At any rate, the architect could now avail himself of Caesarion's
invitation to overlook from the appointed place of meeting--the lofty
steps of the Temple of Isis--the Bruchium, and seek the best site for the
twin statues. He was anxious to select the most suitable one; the master
who had created this work of art had been his friend, and had closed his
eyes in death shortly after its completion.

The sanctuary whence Gorgias commenced his survey was in one of the
fairest portions of the Bruchium, the Alexandrian quarter, where stood
the royal palace with its extensive a