e must
be used with caution. We have closely followed the clear and
comprehensive description given by Plutarch of the last days of our
heroine. It bears the impress of truth, and to deviate widely from it
would be arbitrary.

Unluckily, Egyptian records contain nothing which could have much weight
in estimating the character of Cleopatra, though we have likenesses
representing the Queen alone, or with her son Caesarion. Very recently
(in 1892) the fragment of a colossal double statue was found in
Alexandria, which can scarcely be intended for any persons except
Cleopatra and Antony hand in hand. The upper part of the female figure is
in a state of tolerable preservation, and shows a young and attractive
face. The male figure was doubtless sacrificed to Octavianus's command to
destroy Antony's statues. We are indebted to Herr Dr. Walther, in
Alexandria, for an excellent photograph of this remarkable piece of
sculpture. Comparatively few other works of plastic art, in which we here
include coins, that could render us familiar with our heroine's
appearance, have been preserved.

Though the author must especially desire to render his creation a work of
art, it is also requisite to strive for fidelity. As the heroine's
portrait must reveal her true character, so the life represented here
must correspond in every line with the civilization of the period
described. For this purpose we placed Cleopatra in the centre of a larger
group of people, whom she influences, and who enable her personality to
be displayed in the various relations of life.

Should the author succeed in making the picture of the remarkable woman,
who was so differently judged, as "lifelike" and vivid as it stamped
itself upon his own imagination, he might remember with pleasure the
hours which he devoted to this book.

GEORG EBERS

TUTZING ON THE STARNBERGER SEE, October 5, 1893.

CLEOPATRA.

CHAPTER I.

Gorgias, the architect, had learned to bear the scorching sunbeams of the
Egyptian noonday. Though not yet thirty, he had directed--first as his
late father's assistant and afterwards as his successor--the construction
of the huge buildings erected by Cleopatra in Alexandria.

Now he was overwhelmed with commissions; yet he had come hither ere the
hours of work were over, merely to oblige a youth who had barely passed
the confines of boyhood.

True, the person for whom he made this sacrifice was Caesarion, the son