nnexes, the finest temples--except
the Serapeum, situated in another part of the city-and the largest
theatres; the Forum invited the council of Macedonian citizens to its
assemblies, and the Museum afforded a resort for the scholars.

The little square closed in the east by the Temple of Isis was called the
"Corner of the Muses," on account of the two marble statues of women
before the entrance of the house, which, with its large garden facing the
square northward and extending along the sea, belonged to Didymus, an old
and highly respected scholar and member of the Museum.

The day had been hot, and the shade of the Temple of Isis was very
welcome to the architect.

This sanctuary rested upon a lofty foundation, and a long flight of steps
led to the cella. The spot afforded Gorgias a wide prospect.

Most of the buildings within his vision belonged to the time of Alexander
and his successors in the house of the Ptolemies, but some, and by no
means the least stately, were the work of Gorgias himself or of his
father. The artist's heart swelled with enthusiastic delight at the sight
of this portion of his native city.

He had been in Rome, and visited many other places numbered among the
world's fairest and most populous cities; but not one contained so many
superb works of art crowded together in so small a space.

"If one of the immortals themselves," he murmured, "should strive to
erect for the inhabitants of Olympus a quarter meet for their grandeur
and beauty, it could scarcely be much more superb or better fitted to
satisfy the artistic needs which we possess as their gift, and it would
surely be placed on the shore of such a sea."

While speaking, he shaded his keen eyes with his hand. The architect, who
usually devoted his whole attention to the single object that claimed his
notice, now permitted himself the pleasure of enjoying the entire picture
in whose finishing touches he had himself borne a part; and, as his
practised eye perceived in every temple and colonnade the studied and
finished harmony of form, and the admirable grouping of the various
buildings and statues, he said to himself, with a sigh of satisfaction,
that his own art was the noblest and building the highest of royal
pleasures. No doubt this belief was shared by the princes who, three
centuries before, had endeavoured to obtain an environment for their
palaces which should correspond with their vast power and overflowing
wealth, and at