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will find something to admire. Among the many, let us take a few for a brief study to show that they may be used with children to make literature clear, to give interest and keener appreciation. The very first picture in Volume One (sub-title, _Nursery Rhymes_, page 1) is frankly intended as an introduction to the rhymes which follow, and is also a good illustration of many of the principles stated in this chapter. The little boy is fond of his playthings and especially of his toy cat, but you see he is giving his chief thought just now to the rhymes and jingles which his mother is repeating, while the baby is absorbed and happy in looking at the pictures. Do you see the sewing-basket with the knitting which the mother has laid aside while she devotes an hour to play? Do the other books on the table suggest that she sets a value on good reading as an important element in the training of children even as young as these in the picture? The idea is carried out further in the decorations of the draperies around the window. You see there in simple outline characters which appear in fuller detail with the rhymes which follow in this volume. The color tones are subdued and restful, not loud and glaring, but they are so happily blended, or contrasted, that both persons and objects are clear and distinct. It tells without words the story of happy childhood. _Jack and the Beanstalk_ (Volume One, page 159) is a picture which will repay study. A child's imagination reaches out more or less vaguely, though often to his satisfaction, for a visualization of the exaggerations of nature which appear in almost all fables and fairy tales. Our artist has given this subject a realistic touch, which makes Jack's adventure seem almost possible. Does the beanstalk look natural? Does it look like the beanstalk which grows in your garden? Are the bean pods like those you have seen? Is the color natural? Does the stalk look strong enough to bear Jack's weight? How high up do you think he must go to reach the giant's home? How is the impression of height given? Do you see the landscape stretching away in the distance? Do the fields and the stream look far away? Do you think Jack became frightened or dizzy as he went on--up and up? Doesn't the picture help you to understand his courage and determination to carry out his purpose? [Illustration: ALFRED TENNYSON ROBERT BROWNING WILLIAM SHAKESPEARE SIR WALTER SCOTT WILLIAM WO
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