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e fell upon this touching evidence of dear Valeria's love for me, and I glanced at her tenderly. "This has a deeper significance than you think for," said the colonel, looking round angrily. "Croppo's wife does not carefully secrete a drawing like that on her person for nothing. See, it is done by no common artist. It means something, and must be preserved." "It may have a Biblical reference to the state of Italy. You remember Issachar was likened to an ass between two burdens. In that case it probably emanated from Rome," I remarked; but nobody seemed to see the point of the allusion, and the observation fell flat. That night I dined with the colonel, and after dinner I persuaded him to let me visit Valeria in prison, as I wished to take the portrait of the wife of the celebrated brigand chief. I thanked my stars that my friend who had seen her when we met in the glen, was away on duty with his detachment, and could not testify to our former acquaintance. My meeting with Valeria on this occasion was too touching and full of tender passages to be of any general interest. Valeria told me that she was still a bride; that she had only been married a few months, and that she had been compelled to become Croppo's wife against her choice, as the brigand's will was too powerful to be resisted; but that, though he was jealous and attached to her, he was stern and cruel, and so far from winning her love since her marriage, he had rather estranged it by his fits of passion and ferocity. As may be imagined, the portrait, which was really very successful, took some time in execution, the more especially as we had to discuss the possibilities of Valeria's escape. "We are going to be transferred to-morrow to the prison at Foggia," she said. "If, while we were passing through the market-place, a disturbance of some sort could be created, as it is market day, and all the country people know me, and are my friends, a rescue might be attempted. I know how to arrange for that, only they must see some chance of success." A bright thought suddenly struck me; it was suggested by a trick I had played shortly after my arrival in Italy. "You know I am something of a magician, Valeria; you have had proof of that. If I create a disturbance by magic to-morrow, when you are passing through the market-place, you won't stay to wonder what is the cause of the confusion, but instantly take advantage of it to escape." "Trust me f
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