FREE BOOKS

Author's List




PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   >>  
THE FLOOR PLANE OR LONG JOINER of Norwegian origin exhibits the characteristic decoration of the stock and mouth, patterns common on tools of northern European and Scandinavian origin. (_Courtesy of the Norsk Folkemuseum, Oslo, Norway._)] Intended to establish proportion and to insure precision, it seems a natural consequence that dividers and calipers should in themselves reflect the same sense of balance and grace that they were designed to govern. Still, even the most prosaic examples of woodworking tools, completely divorced from the quasi-mathematical devices of measure and proportion, have this quality and can be admired solely as decorative objects. This is most evident in the three European bench planes illustrated in figures 21, 22, and 23: one Norwegian, dated 1704; one Dutch (accession 319562), dated 1756; and one German, dated 1809. The Norwegian and German examples, with their elaborately carved bodies and heart-shaped mouths, are typical of the type that Swedish and German colonists in America might have used in the 17th and 18th centuries. They are important for that reason. Also, all three exhibit elaboration found on other material survivals from these countries in their respective periods. For example, the incised rosette of the Dutch plane (fig. 22) is especially suggestive of the rosettes found on English and American furniture of the 1750's and 1760's, specifically on high chests. The decorative motifs that characterized European tools of the 17th and 18th centuries obscured technical improvement. By contrast, in England and America, tools gained distinction through the directness of their design. Following English patterns, tools of American make were straightforward. Only later, in new tool types, did they imitate the rococo flourish of their European predecessors. In America, as in England, the baroque for things functional seemingly had little appeal. This is particularly true of woodworking planes on which, unlike their continental cousins, embellishment is rarely seen. Exemplifying this tradition are three early 19th-century American planes: a plow, for cutting channels of various widths on board edges, marked "G. White, Philda" (fig. 24); a rabbet, for notching the margin of boards; made by E.W. Carpenter of Lancaster, Pennsylvania (fig. 25); and a jack or foreplane, for rough surfacing (accession 61.547), made by A. Klock and dated 1818 as seen in figure 26. [Illustration: Figure 22.-
PREV.   NEXT  
|<   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35   36   37   38  
39   40   41   42   43   44   >>  



Top keywords:

European

 

planes

 

German

 
America
 
Norwegian
 

American

 

examples

 

English

 
woodworking
 

accession


centuries
 

England

 

decorative

 

patterns

 

proportion

 

origin

 

Following

 

design

 
surfacing
 

directness


straightforward

 

imitate

 

foreplane

 

rococo

 

figure

 

specifically

 

furniture

 

rosettes

 

Figure

 

Illustration


chests

 

motifs

 
contrast
 

gained

 

distinction

 

improvement

 

characterized

 
obscured
 
technical
 

flourish


tradition

 
Philda
 

Exemplifying

 

rabbet

 
cousins
 
embellishment
 

rarely

 

notching

 

channels

 

widths