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rrow morning." "Ah! Then you go to the hotel," said the man. "This porter will take your valise, and show you the way." So saying, the man, who was a commissioner of the hotel, put Rollo under the charge of a porter, who conducted him to a large and very substantial-looking hotel near by. Rollo ascended by a flight of stone stairs into the second story of the hotel, and there engaged a room for the night, and ordered dinner. He had a very good dinner, all by himself, in a great dining room with long tables in it, where there were at the same time several other persons and parties dining. After dinner he went out to ramble about the town. He was surprised at the massive masonry of the piers, and breakwaters, and forts, that lined the shores, and at the number of vessels and steamers in the basin. He returned to the hotel in good season, and amused himself there till nine o'clock observing the different parties of travellers that were continually coming and going. The next morning he watched for the diligence from a piazza on the second story of the hotel--the diligence office being at the next door. The diligence arrived at the proper time, and Rollo called out to his uncle George when he saw him getting out from the coupe. This was at seven o'clock; at eight Mr. George and Rollo embarked, with a great many others, in a small boat, to go on board the steamer, and at half past eight the paddles of the steamer began to revolve, and to bear them rapidly away from the shores of Italy out over the blue waters of the Mediterranean, on the route to Marseilles. End of the Project Gutenberg EBook of Rollo in Rome, by Jacob Abbott *** END OF THIS PROJECT GUTENBERG EBOOK ROLLO IN ROME *** ***** This file should be named 23430.txt or 23430.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/2/3/4/3/23430/ Produced by D. Alexander, Janet Blenkinship and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive) Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules,
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