rrow morning."
"Ah! Then you go to the hotel," said the man. "This porter will take
your valise, and show you the way."
So saying, the man, who was a commissioner of the hotel, put Rollo
under the charge of a porter, who conducted him to a large and very
substantial-looking hotel near by. Rollo ascended by a flight of stone
stairs into the second story of the hotel, and there engaged a room for
the night, and ordered dinner. He had a very good dinner, all by
himself, in a great dining room with long tables in it, where there were
at the same time several other persons and parties dining. After dinner
he went out to ramble about the town. He was surprised at the massive
masonry of the piers, and breakwaters, and forts, that lined the shores,
and at the number of vessels and steamers in the basin. He returned to
the hotel in good season, and amused himself there till nine o'clock
observing the different parties of travellers that were continually
coming and going.
The next morning he watched for the diligence from a piazza on the
second story of the hotel--the diligence office being at the next door.
The diligence arrived at the proper time, and Rollo called out to his
uncle George when he saw him getting out from the coupe. This was at
seven o'clock; at eight Mr. George and Rollo embarked, with a great many
others, in a small boat, to go on board the steamer, and at half past
eight the paddles of the steamer began to revolve, and to bear them
rapidly away from the shores of Italy out over the blue waters of the
Mediterranean, on the route to Marseilles.
End of the Project Gutenberg EBook of Rollo in Rome, by Jacob Abbott
*** END OF THIS PROJECT GUTENBERG EBOOK ROLLO IN ROME ***
***** This file should be named 23430.txt or 23430.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/3/4/3/23430/
Produced by D. Alexander, Janet Blenkinship and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive)
Updated editions will replace the previous one--the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
|