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napsacks, will ponder over the imperial lunatics who made Capri and Baiae fashionable in the days of ancient Rome. Neither Tiberius nor Caligula, nor yet Ferdinand of Aragon or Bomba for that matter, has been able to leave trace of vice or scar of crime on nature in this Eden. A row round the island, or a supper-party in the loggia above the sea at sunset-time, is no less charming now, in spite of Roman or Spanish memories, than when the world was young. Sea-mists are frequent in the early summer mornings, swathing the cliffs of Capri in impenetrable wool and brooding on the perfectly smooth water till the day-wind rises. Then they disappear like magic, rolling in smoke-wreaths from the surface of the sea, condensing into clouds and climbing the hillsides like Oceanides in quest of Prometheus, or taking their station on the watch-towers of the world, as in the chorus of the _Nephelai_. Such a morning may be chosen for the _giro_ of the island. The blue grotto loses nothing of its beauty, but rather gains by contrast, when passing from dense fog you find yourself transported to a world of wavering subaqueous sheen. It is only through the opening of the very topmost arch that a boat can glide into this cavern; the arch itself spreads downward through the water, so that all the light is transmitted from beneath and coloured by the sea. The grotto is domed in many chambers; and the water is so clear that you can see the bottom, silvery, with black-finned fishes diapered upon the blue white sand. The flesh of a diver in this water showed like the faces of children playing at snapdragon; all around him the spray leapt up with living fire; and when the oars struck the surface, it was as though a phosphorescent sea had been smitten, and the drops ran from the blades in blue pearls. I have only once seen anything (outside the magic-world of a pantomime) to equal these effects of blue and silver; and that was when I made my way into an ice-cave in the Great Aletsch glacier--not an artificial gallery such as they cut at Grindelwald, but a natural cavern, arched, hollowed into fanciful recesses, and hung with stalactites of pendent ice. The difference between the glacier-cavern and the sea-grotto was that in the former all the light was transmitted through transparent sides, so that the whole was one uniform azure, except in rare places where little chinks opened upwards to the air, and the light of day came glancing with a rose
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