The Project Gutenberg EBook of Sketches and Studies in Italy and Greece,
Vol III., by John Symonds
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
Title: Sketches and Studies in Italy and Greece, Vol III.
Author: John Symonds
Release Date: July 22, 2006 [EBook #18892]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK SKETCHES AND STUDIES, III ***
Produced by Turgut Dincer, Ted Garvin, and the Online
Distributed Proofreading Team at http://www.pgdp.net
SKETCHES AND STUDIES
IN ITALY AND GREECE
BY JOHN ADDINGTON SYMONDS
AUTHOR OF "RENAISSANCE IN ITALY," "STUDIES OF THE GREEK POETS," ETC.
THIRD SERIES
WITH A FRONTISPIECE
LONDON
JOHN MURRAY, ALBEMARLE STREET, W.
1910
First Edition (Smith, Elder & Co.) _December 1898_
_Reprinted December 1907_
_Reprinted October 1910_
Taken Over by John Murray _January 1917_
_All rights reserved_
_Printed in Great Britain by_
Spottiswoode, Ballantyne & Co. Ltd.
_London, Colchester & Eton_
CONTENTS
FOLGORE DA SAN GEMIGNANO
THOUGHTS IN ITALY ABOUT CHRISTMAS
SIENA
MONTE OLIVETO
MONTEPULCIANO
PERUGIA
ORVIETO
LUCRETIUS
ANTINOUS
SPRING WANDERINGS
AMALFI, PAESTUM, CAPRI
ETNA
PALERMO
SYRACUSE AND GIRGENTI
ATHENS
INDEX
The Ildefonso Group _Frontispiece_
SKETCHES AND STUDIES
IN
ITALY AND GREECE
_FOLGORE DA SAN GEMIGNANO_
Students of Mr. Dante Gabriel Rossetti's translations from the early
Italian poets (_Dante and his Circle_. Ellis & White, 1874) will not
fail to have noticed the striking figure made among those jejune
imitators of Provencal mannerism by two rhymesters, Cecco Angiolieri
and Folgore da San Gemignano. Both belong to the school of Siena,
and both detach themselves from the metaphysical fashion of their
epoch by clearness of intention and directness of style. The sonnets
of both are remarkable for what in the critical jargon of to-day
might be termed realism. Cecco is even savage and brutal. He
anticipates Villon from afar, and is happily described by Mr.
Rossetti as the prodigal, or 'scamp' of the Dantesque circle. The
case is different with Folgore. There is no poet who breathes a
|