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The Project Gutenberg EBook of Sketches and Studies in Italy and Greece, Vol III., by John Symonds This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org Title: Sketches and Studies in Italy and Greece, Vol III. Author: John Symonds Release Date: July 22, 2006 [EBook #18892] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK SKETCHES AND STUDIES, III *** Produced by Turgut Dincer, Ted Garvin, and the Online Distributed Proofreading Team at http://www.pgdp.net SKETCHES AND STUDIES IN ITALY AND GREECE BY JOHN ADDINGTON SYMONDS AUTHOR OF "RENAISSANCE IN ITALY," "STUDIES OF THE GREEK POETS," ETC. THIRD SERIES WITH A FRONTISPIECE LONDON JOHN MURRAY, ALBEMARLE STREET, W. 1910 First Edition (Smith, Elder & Co.) _December 1898_ _Reprinted December 1907_ _Reprinted October 1910_ Taken Over by John Murray _January 1917_ _All rights reserved_ _Printed in Great Britain by_ Spottiswoode, Ballantyne & Co. Ltd. _London, Colchester & Eton_ CONTENTS FOLGORE DA SAN GEMIGNANO THOUGHTS IN ITALY ABOUT CHRISTMAS SIENA MONTE OLIVETO MONTEPULCIANO PERUGIA ORVIETO LUCRETIUS ANTINOUS SPRING WANDERINGS AMALFI, PAESTUM, CAPRI ETNA PALERMO SYRACUSE AND GIRGENTI ATHENS INDEX The Ildefonso Group _Frontispiece_ SKETCHES AND STUDIES IN ITALY AND GREECE _FOLGORE DA SAN GEMIGNANO_ Students of Mr. Dante Gabriel Rossetti's translations from the early Italian poets (_Dante and his Circle_. Ellis & White, 1874) will not fail to have noticed the striking figure made among those jejune imitators of Provencal mannerism by two rhymesters, Cecco Angiolieri and Folgore da San Gemignano. Both belong to the school of Siena, and both detach themselves from the metaphysical fashion of their epoch by clearness of intention and directness of style. The sonnets of both are remarkable for what in the critical jargon of to-day might be termed realism. Cecco is even savage and brutal. He anticipates Villon from afar, and is happily described by Mr. Rossetti as the prodigal, or 'scamp' of the Dantesque circle. The case is different with Folgore. There is no poet who breathes a
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