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They are believed to have Papuan or Papuo-Melanesian blood in their veins. But, even if they also have another distinct and more primitive ancestry of their own, not associated with the Papuo-Melanesian types, or even with the pure Papuan types, found on the coast and in the plains, one would imagine that contact with these types would have caused the Mafulu people to learn something of the more advanced art which these other peoples display and that we should not have to record a sudden drop from artistic designs embodying curves and natural imitative art to a system confined to straight lines, zig-zags, and spots. This contact with the coast and plain people, or at all events with the latter, has certainly existed for some time back; for, though the mutual fear and antagonism between coast and mountain natives, which is usually found among savage peoples, has doubtless existed in this case, and is even now not altogether eradicated, [91] direct or indirect trading relationship, including in particular the interchange of the stone implements and feathers of the mountains for the shell decorations of the coast, is not a mere recent development of the last few years only. It seems to me that the existence of this decorative hiatus points to a rather small inherent sense of design in the Mafulu mind. It may be, however, that the absence of imitative art, to which I have already referred in connection with totemism and clan badges, is partly due to the absence of totemism and of the imitative stimulus, which, as Dr. Haddon has more than once pointed out, [92] arises from it. CHAPTER XIV Music and Singing, Dancing and Toys and Games Music and Singing. The Mafulu people are naturally musical and have good musical ears--much more so than is the case in Mekeo and on the coast, thus conforming to what I believe to be a general rule that music is usually more indigenous in hill country than it is in the plains. Their instruments are the drum, the jew's-harp and a small flute; but the flute is not a true Mafulu instrument, and has probably been acquired from Mekeo. The drum (Plate 75, Fig. 3) is like the Mekeo drum, but smaller, and its open end is cut in deep indentations. The wooden body of the drum is made from various trees. A pine tree is the favourite one; but others are used, including a tree the native name of which is _arive_, which word is also the native word for a drum. The membrane is made of
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