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rise attacks from the civil population has been to interfere with unrelenting severity and to create examples which, by their frightfulness, would be a warning to the whole country." A Belgian officer once quoted it to me, with a comment. "This is not an order to the army. It is an attempt at justification for the very acts which Berlin is now attempting to deny!" That is how "frightfulness" came into the literature of the war. Captain F---- stopped the car. Near the road was a ruin of an old church. "In that church," he said, "our soldiers were sleeping when the Germans, evidently informed by a spy, began to shell it. The first shot smashed that house there, twenty-five yards away; the second shot came through the roof and struck one of the supporting pillars, bringing the roof down. Forty-six men were killed and one hundred and nine wounded." He showed me the grave from a window of the car, a great grave in front of the church, with a wooden cross on it. It was too dark to read the inscription, but he told me what it said: "Here lie forty-six _chasseurs_." Beneath are the names, one below the other in two columns, and underneath all: "_Morts pour la Patrie_." We continued to advance. Our lamps were out, but the _fusees_ made progress easy. And there was the moon. We had left behind us the lines of the silent men. The scene was empty, desolate. Suddenly we stopped by a low brick house, a one-story building with overhanging eaves. Sentries with carbines stood under the eaves, flattened against the wall for shelter from the biting wind. CHAPTER XI AT THE HOUSE OF THE BARRIER A narrow path led up to the house. It was flanked on both sides by barbed wire, and progress through it was slow. The wind caught my rain cape and tore it against the barbs. I had to be disentangled. The sentries saluted, and the low door, through which the officers were obliged to stoop to enter, was opened by an orderly from within. We entered The House of the Mill of Saint ----. The House of the Mill of Saint ---- was less pretentious than its name. Even at its best it could not have been imposing. Now, partially destroyed and with its windows carefully screened inside by grain sacks nailed to the frames for fear of a betraying ray of light, it was not beautiful. But it was hospitable. A hanging lamp in its one livable room, a great iron stove, red and comforting, and a large round table under the lamp made it
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