FREE BOOKS

Author's List




PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  
days. Probably he was the singer. I hoped so, at any rate. That would be an ideal case of a beautiful bird with a song to match. I kept him under my glass, and presently the strain was repeated, but not by him. Then it ceased, and I was none the wiser. Perhaps I never should be. It was indeed a shame. Such a _taking_ song; so simple, and yet so pretty, and so thoroughly distinctive. I wrote it down thus: _tee-koi, tee-koo_,--two couplets, the first syllable of each a little emphasized and dwelt upon, not drawled, and a little higher in pitch than its fellow. Perhaps it might be expressed thus:-- [Illustration] I cannot profess to be sure of that, however, nor have I unqualified confidence in the adequacy of musical notation, no matter how skillfully employed, to convey a truthful idea of any bird song. [Footnote 1: As it was, I did not find _Dendroica virens_ in Florida. On my way home, in Atlanta, April 20, I saw one bird in a dooryard shade-tree.] The affair remained a mystery till, in Daytona, nine days afterward, the same notes were heard again, this time in lower trees that did not stand in deep water. Then it transpired that my mysterious warbler was not a warbler at all, but the Carolina chickadee. That was an outcome quite unexpected, although I now remembered that chickadees were in or near the St. Augustine swamp; and what was more to the purpose, I could now discern some relationship between the _tee-koi, tee-koo_ (or, as I now wrote it, _see-toi, see-too_), and the familiar so-called phoebe whistle of the black-capped titmouse. The Southern bird, I am bound to acknowledge, is much the more accomplished singer of the two. Sometimes he repeats the second dissyllable, making six notes in all. At other times he breaks out with a characteristic volley of fine chickadee notes, and runs without a break into the _see-toi, see-too_, with a highly pleasing effect. Then if, on the top of this, he doubles the _see-too_, we have a really prolonged and elaborate musical effort, quite putting into the shade our New England bird's _hear, hear me_, sweet and welcome as that always is. The Southern chickadee, it should be said, is not to be distinguished from its Northern relative--in the bush, I mean--except by its notes. It is slightly smaller, like Southern birds in general, but is practically identical in plumage. Apart from its song, what most impressed me was its scarcity. It was found, sooner or later, wher
PREV.   NEXT  
|<   11   12   13   14   15   16   17   18   19   20   21   22   23   24   25   26   27   28   29   30   31   32   33   34   35  
36   37   38   39   40   41   42   43   44   45   46   47   48   49   50   51   52   53   54   55   56   57   58   59   60   >>   >|  



Top keywords:

chickadee

 

Southern

 

warbler

 

musical

 

singer

 

Perhaps

 
Sometimes
 

acknowledge

 

making

 
dissyllable

repeats

 

accomplished

 

purpose

 

Augustine

 
remembered
 

chickadees

 
discern
 

whistle

 

capped

 

phoebe


called
 

relationship

 

familiar

 

titmouse

 

slightly

 
smaller
 

relative

 

distinguished

 

Northern

 

general


scarcity

 

sooner

 

impressed

 

practically

 

identical

 
plumage
 

highly

 
pleasing
 

effect

 

breaks


characteristic

 
volley
 

putting

 

effort

 

England

 

elaborate

 
prolonged
 

doubles

 
remained
 
emphasized