ngentesimo nonagesimo quarto,
Quem numerum metro claudere musa negat
Rex pie, quem gessit Virgo, licet hic cinerescit,
Spiritus hoeres sit patriae quae tristia nescit._"
There are also the tombs of thirty-two archbishops,--a veritable
valhalla of churchly fame. Mostly these tombs are ordinary enough, those
of Archbishop Berthould of Henneberg and of the doyen of the chapter
being alone remarkable.
The chapel of St. Gothard, a dependency of the cathedral, was built by
Archbishop Adelbert I. in 1135-36.
The ancient cloister at Mayence dates from the mid-thirteenth century.
Archbishop Siegfried was responsible for the work which was consecrated
in the year 1243 in the presence of the Emperor Conrad, on the occasion
of a synod which was being held at Mayence at that time. The cloister,
as it exists to-day, is made up in part of this ancient work and in part
of a more modern construction, this latter being the portion which
adjoins the church proper.
The chapter-house was built at the end of the twelfth century or at the
beginning of the thirteenth. It is a square apartment covered with an
ogival vaulting which springs from a range of pillars with delicately
sculptured foliaged capitals. It is decidedly the architectural gem of
this composite edifice.
To the north of the cathedral, in the Speise-Markt, is a remarkably fine
fountain, restored, or perhaps rebuilt, in the sixteenth century by the
Archbishop of Mayence. A _baldaquin_ supported by three pillars rises
above a well or spring, and on a stone slab one reads the following
inscription in letters of gold:
"_Divo Karolo V Cesare semp Augus. post victoria gallicam rege ipso ad
Ticinum superato ac capto triumphante, fatalique rusticor[=u] per
Germnia (sic) cospiratione prostrata, Alber. card. et archiep. Mog.
font[=e] hanc vetustate dilapsa ad civi[=u] suorum posteritatisque usum
restitui curavit anno MDXXVI._"
The Meistersingers of Mayence owed their origin to Henry Misnie, who,
according to some authorities, was a canon of the Church, and, according
to others, a doctor of theology. He was devoted, at any rate, to poetry,
and was, in the fourteenth century, founder of the school of the
Master-singers.
He dedicated a great part of his songs to the Virgin, his ideal of all
that was pious and good. Later he widened the range of his dedications
to include all of the female sex, and beautiful women in particular. He
is known in the history of Ger
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