w of Sir Wm. Strachan
(1770). The carving, which is very delicate and beautiful, is by Thomas
Ricketts, a Gloucester sculptor of considerable skill.

There is also a monument to Rev. Thomas Stock, who, with Robert Raikes,
was instrumental in opening Sunday schools.

#The great West Window# contains nine lights which were glazed by Wailes
of Newcastle, to the memory of Dr J. H. Monk, Bishop of Gloucester from
1830 to 1856.

The #Font# is situated in the westernmost bay of the south aisle, on the
site of the old Consistory Court, formerly railed off from the rest of
the nave. The font being of red Aberdeen granite clashes rather with the
prevailing grey stone of the building, is very heavy in appearance, and,
in spite of the workmanship spent upon it, quite uninteresting. The
north side contains a representation of the two prophets, Jeremiah and
Ezekiel, separated by the ark; the west side has figures of St. Matthew
and Daniel; the south side has figures of St. Mark and St. Luke, and the
baptism of Christ in the Jordan, and the east contains the emblems of
the Trinity and of baptism.

The #Windows# in this south aisle are the least interesting in the
cathedral, and would seem to have been made without much consideration
of the fact that they were to go where a south light would come upon
them.

The five-light _west window_ of the aisle is in memory of Dr Jenner and
his friend Dr Baron. The subjects, appropriately enough, refer to
miracles of healing, or restoring to life.

The _first south window_ is to John Elliott, a solicitor, and the
subjects are more or less legal. The glass is by Hardman.

The _second window_ (three lights) is in memory of Miss Evans, and was
put up in 1861 by Bell of Bristol. The colouring must be seen to be
appreciated at its proper worth.

The _third window_ is a memorial to Sir W. G. Davy, K.C.B., who died in
1856, and is buried in the cloister. The glass is by Warrington.

The _fourth window_, to the memory of Sir W. Guise, Bart., is rather
kaleidoscopic in effect, owing to its being mainly an armorial window,
and, secondarily, historical. The historical portion represents the
Coronation of Henry III. in Gloucester Cathedral in 1216, by Gualo (the
Papal legate) and Peter de Rupibus, or des Roches, Bishop of Winchester.
In the left centre light is Hubert de Burgh, Earl of Kent, and in the
right is Joceline, Bishop of Bath.

The glass is by Clayton & Bell.

The _fifth window_ is a m