h ambulatory of the choir are as follows:--

The window next to Boteler's Chapel is a memorial erected by the dean
and chapter to Mrs Tinling. The glass was designed by the late J. D.
Sedding, Esq., and was executed by Kempe.

Opposite to the tomb of Edward II. is a memorial window, also by Kempe,
to the late Lieut.-General Sir Joseph Thackwell and his wife.

The third window is a memorial to Alfred George Price, who died in 1880,
and it represents the four great builders of the church--viz. 1. King
Osric. 2. Abbot Serlo. 3. Abbot Wygmore. 4. Abbot Seabroke.

Opposite this door in the north-east corner is a doorway--Perpendicular
in style--with interesting cresting and carving, giving access to the
vestries and the choir practising-room.

In this, as in the other chapels, the groined edge of the Norman
vaulting is carried down the piers.

The reredos in this chapel was more perfect, in point of good repair,
than any other in the building, and the chapel was repaired by the late
Earl of Ellenborough in 1870, figures by Redfern representing St. Peter,
St. Paul, and St. Luke being inserted in the niches.

At the back of the reredos are windows (by Burlison & Grylls)
representing in the side-lights angels with instruments of music, and in
the centre Our Lord in majesty with angels bearing crowns and branches
of palm.

On the south side of the chapel is a brass tablet in memory of Dean Law,
who was Dean from 1862-1884. The combination of copper, brass, and
gun-metal is to be regretted, as the workmanship is above the average,
and the design is good. It is a mistake to paint heraldic devices on
brass.

Close by the door leading into the north transept will be seen the stone
reading-desk, from which it is said addresses were given to the many
pilgrims who came to the shrine of the unfortunate Edward II.

The #North Transept.#--This transept, like that on the south, consists
of Norman work, which was cased over by Abbot Horton during the last
years of his abbacy (1368-1373) with fine Perpendicular panelling,
cleverly engrafted into the original wall. It will be noticed that the
work is, though Early Perpendicular, much more fully developed than that
in the south transept. Angular mouldings of great beauty are used in the
place of round mouldings; the mullions run right up to the roof, which
again is much richer than that in the south transept. The vaulting of
the north transept somewhat resembles in character the fan