en St. Andrew
and St. Peter, with eight figures of smaller size--viz. Job, Solomon,
Moses, David, Isaiah, Jeremiah, Ezekiel, Daniel. The remainder of the
figures are intended to represent a choir of angels.

The tiles in the chapel are very bright and gaudy, contrasting
unfavourably with the older tiles elsewhere in the building. The
arrangement of the tiles on the risers of the steps is very monotonous
and unpleasing. Plain stone steps would have been far less obtrusive.

At one time a charge of sixpence was made for the privilege of
inspecting the interior of this chapel, but nowadays it is kept closed.
For many years it was used as a vestry for the lay clerks. The windows
contain glass (by Hardmar) dealing with events in the life of St.
Andrew.

In the east window, over St. Andrew's Chapel in the south transept, is
to be seen some of the best glass now to be found in the cathedral,
dating back to about 1330. It consists in the head of a white
scroll-work of vine leaves, etc., on a fine ruby-coloured ground, and
below plain quarries with very simple borders. These have been releaded
by Hardman.

On either side of the chapel there are tabernacles. That on the south
side contains some very fine carving, and with one boss quite complete.
The colour, judging from the traces remaining, must have been very
charming.

On the north side of the chapel is the #'Prentice's Bracket#. In shape
it resembles a mason's square supporting an apprentice. Underneath it,
as a supporter, is the master mason. The work was probably intended to
carry an image with a pair of lights, and also to serve as a memorial of
the workmen.

The Elizabethan monument erected in memory of Richard Pates, Esq.,
founder of the Grammar School at Cheltenham, is a poor example of its
date, 1588. The next monument was originally in the north choir chapel
of the nave (_vide_ Brown Willis' plan, p. 44), and commemorates
Alderman Blackleech, in cavalier costume, and his wife. The date of the
tomb is 1639. Other and later memorials are on the walls, but they are
of no special interest.

There is an interesting tablet to Canon Evan Evans, D.D. (Master of
Pembroke College, Oxford), who died in 1891. The memorial consists of a
bronze tablet, bordered by a frame of marble inlaid with other marbles.
The bronze at the top is inlaid with shell of an iridescent colour. The
general effect is good, but silver hardly seems suited for inlaying in a
building lighted by