From a Drawing by F. S. Waller, F.R.I.B.A.
The dark tint on the walls represents the Early Norman
Crypt.
The second period of Norman work is shown by the double
lines round the small shafts at A A, which denote masonry
erected some time after, to carry the ribs which
strengthen the vaulting.
The parts sectionised were for the most part built in the
fourteenth and fifteenth centuries to carry the walls
above--notably s s, as foundations for the choir piers.]
The fourth chapel, which is underneath Abbot Boteler's Chapel, also
contains fragments, some of them very beautiful specimens of stonework.
There is also a slab, upon which is to be read the words, _Orate pro aia
fris Johis_. This slab was formerly in the south transept, and was
(according to Mr Haine's transcription of the slab made thirty years
ago) to the memory of John Lempster, who lived in Abbot Froucester's
time.
A slab inscribed I STAUNT, which used to be in the cloisters at the
entrance to the chapter-house, is also in the crypt. This John de
Staunton was akin to Abbot Staunton, who was buried in 1351.
The fifth chapel, which is underneath St. Paul's Chapel, was the chapel
through which the Abbot had access to the crypt from the Abbot's
cloister. The easternmost portion has some very good vaulting and
decoration of the thirteenth century, and contains a very mutilated
piscina. The groining of the roof is, unfortunately, falling away by
degrees. There are traces of some fine bosses.
The crypt was cleared, drained, and concreted in the course of the
restoration that took place during the years 1853-1863.
#Ambulatories of the Choir.#--These aisles have nothing uncommon in
their form or arrangement below, but above occurs the great peculiarity
of this church. The side aisles and eastern chapels are, in fact,
including the crypt, three storeys high, and all vaulted, and the upper
range of chapels surrounding the choir is perhaps not to be met with in
any other church in Europe.
Near the entrance to the #S. Ambulatory of the Choir# a tomb and brass
to the memory of Rev. John Kempthorn, B.D. (1838) will be found on the
right, near the side entrance into St. Andrew's Chapel.
Close to it, upon the floor, is a modern brass, by Messrs Heaton, Butter
& Bayne, to the memory of Rev. H. Haines, M.A., who for t
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