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From a Drawing by F. S. Waller, F.R.I.B.A. The dark tint on the walls represents the Early Norman Crypt. The second period of Norman work is shown by the double lines round the small shafts at A A, which denote masonry erected some time after, to carry the ribs which strengthen the vaulting. The parts sectionised were for the most part built in the fourteenth and fifteenth centuries to carry the walls above--notably s s, as foundations for the choir piers.] The fourth chapel, which is underneath Abbot Boteler's Chapel, also contains fragments, some of them very beautiful specimens of stonework. There is also a slab, upon which is to be read the words, _Orate pro aia fris Johis_. This slab was formerly in the south transept, and was (according to Mr Haine's transcription of the slab made thirty years ago) to the memory of John Lempster, who lived in Abbot Froucester's time. A slab inscribed I STAUNT, which used to be in the cloisters at the entrance to the chapter-house, is also in the crypt. This John de Staunton was akin to Abbot Staunton, who was buried in 1351. The fifth chapel, which is underneath St. Paul's Chapel, was the chapel through which the Abbot had access to the crypt from the Abbot's cloister. The easternmost portion has some very good vaulting and decoration of the thirteenth century, and contains a very mutilated piscina. The groining of the roof is, unfortunately, falling away by degrees. There are traces of some fine bosses. The crypt was cleared, drained, and concreted in the course of the restoration that took place during the years 1853-1863. #Ambulatories of the Choir.#--These aisles have nothing uncommon in their form or arrangement below, but above occurs the great peculiarity of this church. The side aisles and eastern chapels are, in fact, including the crypt, three storeys high, and all vaulted, and the upper range of chapels surrounding the choir is perhaps not to be met with in any other church in Europe. Near the entrance to the #S. Ambulatory of the Choir# a tomb and brass to the memory of Rev. John Kempthorn, B.D. (1838) will be found on the right, near the side entrance into St. Andrew's Chapel. Close to it, upon the floor, is a modern brass, by Messrs Heaton, Butter & Bayne, to the memory of Rev. H. Haines, M.A., who for t
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