ligious sculpture especially came entirely under Tibetan
influence (particularly that of the sculptor Aniko, who came from Nepal,
where he was born in 1244). This influence was noticeable in the Chinese
sculptor Liu Yuean; after him it became stronger and stronger, lasting
until the Manchu epoch.

In architecture, too, Indian and Tibetan influence was felt in this
period. The Tibetan pagodas came into special prominence alongside the
previously known form of pagoda, which has many storeys, growing smaller
as they go upward; these towers originally contained relics of Buddha
and his disciples. The Tibetan pagoda has not this division into
storeys, and its lower part is much larger in circumference, and often
round. To this day Peking is rich in pagodas in the Tibetan style.

The Mongols also developed in China the art of carpet-knotting, which to
this day is found only in North China in the zone of northern influence.
There were carpets before these, but they were mainly of felt. The
knotted carpets were produced in imperial workshops--only, of course,
for the Mongols, who were used to carpets. A further development
probably also due to West Asian influence was that of cloisonne
technique in China in this period.

Painting, on the other hand, remained free from alien influence, with
the exception of the craft painting for the temples. The most famous
painters of the Mongol epoch were Chao Meng-fu (also called Chao
Chung-mu, 1254-1322), a relative of the deposed imperial family of the
Sung dynasty, and Ni Tsan (1301-1374).

(B) The Ming Epoch (1368-1644)

1 _Start. National feeling_

It was necessary to give special attention to the reasons for the
downfall of Mongol rule in China, in order to make clear the cause and
the character of the Ming epoch that followed it. It is possible that
the erroneous impression might be gained that the Mongol epoch in China
was entirely without merits, and that the Mongol rule over China
differed entirely from the Mongol rule over other countries of Asia.
Chinese historians have no good word to say of the Mongol epoch and
avoid the subject as far as they can. It is true that the union of the
national Mongol culture with Chinese culture, as envisaged by the Mongol
rulers, was not a sound conception, and consequently did not endure for
long. Nevertheless, the Mongol epoch in China left indelible traces, and
without it China's further development would certainly have taken a
dif